Personal blog of Derek and Margaret, now living in Dominica, W.I., founders of Ozone Zone – an Independent Canadian book publisher specializing in coffee table books of architectural treasures and lush gardens. We also promote fine artistic photography. This blog contains unofficial reports and comments from our various trips, photo sessions and jobs – an unofficial scrapbook of our travels, explorations and photo-related work. See “about” for more.

Posts tagged ‘fine art’

Jon Hoadley – Between Light And Shadow

4e94e2c7ae9d1In our previous post we profiled Julie Lea – a fine painter from far-away Bequia. Today, we will bring you closer to our roots – photography. We also return closer to our home – Victoria, BC, Canada. Right here, at our doorstep in Victoria, you can meet one of the finest, most outstanding photographers we know. It’s Jon Hoadley – a real master of studio art photography. Working in the same studio space since 1984, he can be compared to the great Dutch or Italian painters of the past centuries.

_MIK2361Perhaps the most visually arresting aspect of Jon’s work is his masterful use of light and shade. He is a virtuoso of chiaroscuro and “shading” – creating depth by using light effects. Shadow and light are powerfully contrasted and used in different degrees, subtle or strong. They are deliberately interwoven to give the work spatial and psychological depth and to create an atmospheric mood. On the human body, chiaroscuro makes a very powerful effect.4aa10d3bd7e9a

Had Jon been born a painter in Italy in the early 17th century, he would easily be one of the followers of Caravaggio, a master of powerful chiaroscuro, whose use of light to create dramatic intensity inspired generations of artists often called “Tenebrists” or “Tenebrosi” (“Shadowists”). 50c15dc87a679Jon’s work often reminds me of other paintings by famous masters of light, like the 17th century Spanish painters, with Jose de Ribera among them. Perhaps Jon doesn’t always seek such strong dramatic effects. The light in his art portraits is often used to create a broader and more intimate union between figure and space.

493f0ba58c704Similar in feel to fine paintings, Jon’s portraits are carefully composed and stylized. Only the photographers themselves and models (sometimes exhausted after the process) know how much time and energy consuming such shoots are; how much care, and – clearly, love – goes into their preparation and each actual photo session. Not to mention hours of digital work afterwards “to get the image right.” And yet, Jon’s photographs don’t appear to be that heavily staged and controlled. Models are given freedom of expression within the boundaries of the image. That gives us, the viewers, a glimpse into their true personalities, each different and unique. It also creates a psychological bond, touching directly the viewer’s soul, a rare feature in art of portraiture today.

49c1b3a6907a5Obsessed with fine nuances of light and forms of the human body (be it in portraits, art nudes, or other styles), Jon Hoadley works tirelessly expanding his huge collection of masterpieces. Digital photography gave him much needed expansion of editing tools.

Earlier back, he worked very successfully on the international commercial scene, photographing for renowned brands; but although his photographs were winning awards, he was never really interested in that or in any competitions.

Same with his self-promotion – rather than making efforts to promote and market himself, he uses all his energy and time to create ever new images. For those reasons, Hoadley’s works are relatively little known – but they stand really strong among the best of art portraits on the international scene – real masterpieces, fit for the finest collections. His best, heart-and-mind-touching art, selected for limited editions, can be displayed proudly by the most discerning connoisseurs.4f30b73de8b56

4974036fe8134See more works by Jon at www.modelmayhem.com
Browse and order his art prints at Photo Gallery Vibrante

We hope you enjoyed this post. If so – please SHARE with friends.

Until next time!
Cheers!

Text by Margaret Gajek, art historian, researcher, writer
and by Derek Galon, photographer

4a6fcca643dbe

Images – copyright Jon Hoadley – please respect his copyright.

Jon Hoadley contemplating Zen of Perfect Lighting

Jon Hoadley contemplating Zen of Perfect Lighting

Julie Savage Lea, artist – painter from Bequia

Arriving in Bequia

Arriving in Bequia

As mentioned in our previous post, today we are posting a profile of a fine artist from Bequia, Julie Lea. She just finished work on a new book we are about to publish. Please, meet Julie:

_DSC9956Julie Savage Lea was fascinated and smitten with the island of Bequia from the first moment she saw it. She describes this experience in her book, called “”Bequia reflections”: “I first saw Bequia in 1978, from the deck of a steel-hulled, 48-foot ketch. My husband and I and our two small sons were guests of young friends, part of the self-styled “boat vagabonds”, who, in those days, plied the waters of St Vincent and the Grenadines. We arrived after a rolling, fitful, all-night sail from St Lucia. In the predawn light we anchored in the sheltering calm of Admiralty Bay, just off Port Elizabeth. As the others sputtered ashore (…), I stayed on deck, exhausted yet dazzled by the visual feast before me. My first response to Bequia was to pull out my watercolours and record the soft explosion of clouds and colour in the sky as a golden dawn erupted over green volcanic hills and poured into the awakening turquoise harbour.”

Inside Mango Cottage

Inside Mango Cottage

“I wanted to capture the charm of what I saw that first morning- the languid parade of human and animal activity along the main street, the exotic trees and flowers, the diminutive shops and cottages, as gaily painted as the small fishing boats lining the beach.”

_DSC9903Julie frequently returned to the island to paint, and finally, in 2005, decided to make Bequia her home. She found the perfect place for her studio – Mango Tree Cottage, a quaint little house that she rents from her long-term friend and also a great painter, Vivian Usborne Child.

_DSC9691Most of the year 2012 she has been working on a book about her friend Peter Carr – another Bequia-fascinated painter. The book, titled “Bequia – the Feast of Colors”, will be published by our company Ozone Zone Books in early 2013.

_DSC9840

Julie talks about her paintings

We met Julie in her studio full of colourful and vibrant paintings, various objets d’art, and everyday things chosen for their strong primary colours. She spoke enthusiastically about the painting she had just finished for the Gingerbread Restaurant in Bequia, called “Tropical Eden.” The lush exuberance of the vegetation she captured there reminds me of the famous jungle paintings by Henri Rousseau.

_DSC9724We wrote about the Mango Tree Cottage in our book Tropical Homes of the Eastern Caribbean: “This humble, small place has transformed itself completely under Julie’s influence, reflecting her own happy, artistic personality. With the presence of her paintings, it has become a vibrant colourful place and a joyful continuation of the tropical landscape that surrounds it.”

_DSC9706While visiting Bequia, you may see Julie walking alone, scouting for subjects to paint, or sketching hurriedly some life scenes passing by. She writes: “Under a brilliant sky filled with colour and movement, the glittering sea and an exotic parade of people, events and contexts leaps at me.”

_DSC9719We hope you enjoy this story. More soon, happy New Year!

by Margaret Gajek, Photos by Derek Galon
Please respect our copyright.

If you like it, please SHARE. Thank you!
Click “Follow” on right side, to be notified of new posts.

Breathing Color – Amazing Photo Papers

Tile Tales looks spectacular on Metallic paper. All bright parts are almost glowing.

I recently prepared several prints for a Photo Salon in Japan, and used this opportunity to work on newly purchased selection of papers from a young, dynamic company Breathing Color. Results of that work are so pleasing that I decided to share them with you ASAP.

Normally I would use this kind of post  in my other, more technical blog (and maybe I will repost it there too). But this story is bordering between technical, and a simple sharing of a great photo experience. It also shows several photographs from my portfolio – therefore I decided to post it here.

Preparing for THE 73rd INTERNATIONAL PHOTOGRAPHIC SALON OF JAPAN, I selected images of different styles, subjects and techniques. Among them, my favourite image with model Koko, called Tile Tales (which -by the way- have been just published in a limited edition book showing select fine art photography from around the world, and titled No Words, by the prestigious Scandinavian gallery 1X.).

This image looks almost black and white, it is full of luminescence and contrasts. Along with Tile Tales I selected some densely colorful images, as well as couple of real black and whites. That choice made for a perfect testing ground for my newly purchased Breathing Color papers.

Silvery-grey clay on No Nirvana image simply shines when printed on Metallic paper.

Knowing well how the “Tile Tales” looks on traditional glossy and pearl Ilford papers, I was curious how it will look on Breathing Color’s Vibrance Metallic. This paper intrigued me instantly. It has a high gloss finish, and its surface looks a bit like mother of pearl, reflecting light in a very interesting way.
So, I printed Tile Tiles – and could not believe the effect. Image got an instant “boost of light”, an extra dimension of warm luminescence. It is hard to describe. Perhaps it can be compared a bit with viewing it on a top quality monitor, where light comes from behind – rather than hitting printed image from the front. The brighter the image part is, the more of that reflective luminescence it gets – effectively expanding gamut and dynamics well over typical limits. The image received its own life! If you would have two  Tile Tales prints – one on a lovely Ilford’s Pearl paper, and another on this Metallic – I bet you would pick first the metallic one, even without thinking why you did so. It definitely is a paper which will help your images being noticed. Even in a poor light it still has quite a lot of appeal.

I found it fantastic for images which strongly accent their bright spots, and with bright colours including grey/silver/white.
Therefore I couldn’t resist printing my new image No Nirvana (with Michael Ward – model) on it – and bingo! Again, the image was stunning. Light grey elements of clay look just AMAZING. Unbelievable print! I printed on this paper both with dye and Epson pigment inks – and it looks same spectacular with both.

“Abandoned by God” photo from Montserrat gets a new life on Metallic paper – all bright parts including grey volcanic ash are simply stunning.

Next, I printed Rain Dance (with Daniel Corbett – model) – image with vibrant colours and lots of dark elements. For this one – I picked luxurious, lush mat paper called Vellum Fine Art Paper (again by Breathing Color).
Wow! Rarely I see such elegant and deep palette as this. A beautiful gallery quality print. Thick and heavy, it is really impressive. I quickly varnished it with a matte spray to protect against fingerprints, as this image just asks to be touched.

Rain Dance looks rich and elegant on Vellum paper.

I used the same paper for my black and white image called Always Fresh flowers (with Eden Celeste – model). Again – amazing result: deep blacks look on this paper almost like on an opulent velvet fabric, you almost see a depth to it. A remarkable paper, and instantly on my favourites list.

I also tested a semi-gloss kind of paper, called Vibrance Rag, printing Revisiting Dr. Freud (with Rowen Bellamy – model). At first, I was taken aback by its look. It has a slight texture and a light glaze, which did not look to me very appealing straight from the box. It looked too “artificial”, I thought. But when I printed on it a photo full of colour, textures and contrast – this paper got life on its own. Covered with ink, gone was that “artificial” look, and it looks like a really fine gallery grade print. Thumbs up again!

Vellum Fine Art paper makes “Always Fresh Flowers” look almost three-dimensional. Fantastic art paper indeed.

I still have some other Breathing Color papers and supplies to test – but these first three got my highest approval, and I can say that with their price being significantly lower than other top brands (Epson or Canson for example) – they will be often used for my exhibition quality works. They exceeded my expectation – and those of you who know how picky I am – should realize it is not often happening.

Like with all photo papers, you should consider specific images and select paper which will work well to accentuate your photograph. But you will find that Breathing Color can offer you really fine papers for many situations when you need the best prints. And the great news is – they offer low priced sampler packs! This is what I just used.

Revisiting Dr. Freud on Vibrance Rag looks very classy and rich.

I hope you enjoy this post, and if you do – please SHARE it with friends.
Thank you, until next time – perhaps right after our return from Skye, Scotland, later this month.
Cheers!

All images copyright Derek Galon and Ozone Zone Books. Please respect it.

New Photo Art Series with Michael Ward…

No Nirvana

Only a quick post today, to share with you some of my newest images.
I delivered to our customer  all images from our latest Caribbean location work, and just had a moment to think about my own portfolio.

While preparing print selection for an art photography exhibition due later this year, I was approached by Michael Ward – a seasoned, professional model – one of the most acclaimed artists’ models around. (Some of you may remember my Knight of Might photos, with Michael in full body armour).
He suggested to create a new series of images as a duo with a young, talented model Daniel Corbett from Victoria. The concept was to use some body painting to create  strong mood and visual impact for this series.

Cracking Memories

It is always a pleasure to work with Michael, and such series could add some interesting art-oriented material for this upcoming exhibition. Without much wait we decided on details of the shoot, and just did it a few days ago. Body painting was commissioned to Alecia Repp from Vancouver, Michael brought to the shoot his dedicated assistant (also photographer and model) – Tegan Bown, and we started our work (which actually was quite fun too).

Split Fears

I wanted to create two opposite characters for this series, two totally clashing personalities. Therefore Michael was covered with grey clay, while Daniel’s look was sparkly and vibrant.

Duality of Mind

Both creations were so impressive that besides of photographing them as a duo, I also did solo shots for both of them. I love these solo shots, and I am not sure if I like more the duo, or not.

Apollo in Me

I will pick some of these new images for that mentioned photo exhibition, and will also add them to my selection of art works for sale at the Gallery Vibrante.

What do YOU think? Do you prefer solo, or duo images?
Feel free to leave a comment, and if you like these images, click SHARE, and subscribe to FOLLOW our blog.

Thanks for stoppling by, cheers!
Derek

Rain Dance

All photographs copyright Derek Galon and Ozone Zone – please respect it.

Charles Rennie Mackintosh – The House For An Art Lover, Glasgow, Scotland

While visiting Scotland last May, we wanted to see the newest jewel of architecture designed by legendary architect and designer, Charles Rennie Mackintosh.  Margaret, being an art historian with decades of fascination with Mackintosh’ works, did put it high on our priority list for our trip. As many of you know, we are interested not only in gardens, but also in fine architecture. Our award-winning book Tropical Homes of the Eastern Caribbean  can be the best proof of that. In our book we concentrated on tropical styles, but our interests in architecture go far behind that, and include works by the master of  Arts and Crafts period – Charles Rennie Mackintosh.


Several amazing projects created in Glasgow and area by Charles Rennie Mackintosh are well known to visitors from all around the world. The House For an Art lover, however, is a rather new addition to his landmarks’ collection. In 1901 the design of House for an Art Lover won an international award for a modern architecture concept. Oddly enough, this fine design spent almost hundred years in the drawer, until it was put to life by dedicated Mackintosh experts just in recent decades. It was not only built using original plans, but parts of the design had to be actually created and added, as many details were not complete on the winning draft.

The work done on this house rings true to Mackintosh masterpieces and it was fantastic to see it. It is set in a beautiful park and garden. Every detail is made with real consideration to the Mackintosh’ style, and it is hard to imagine it was built recently and not by Mackintosh’ own team. Perhaps the decorative gesso panels in dining room stand out as slightly less authentic looking, perhaps done by a heavier hand. But it would be really difficult to design and create them with the same masterly perfection as amazing gesso works by Mackintosh or his wife, Margaret MacDonald. All in all, this is an amazing place to visit and to enjoy yet another Mackintosh masterpiece.
There is lots of info about the property on-line, therefore I will not repeat what is already known and said. I just would like to share with you a few photographs I took. I hope you enjoy. And – thank you to all dedicated people behind this project for making it happen. Let this precious jewel sparkle for many, many years to come.
Visit the House on-line for more info:  http://www.houseforanartlover.co.uk
And, as always – if you like this post, please share it with your friends.
Thank you, stay tuned!
Derek


All photographs copyright Derek Galon, Ozone Zone Books.
No usage without written authorization.
Text by Margaret Gajek and Derek Galon, 

Tag Cloud

%d bloggers like this: