Personal blog of Derek and Margaret, now living in Dominica, W.I., founders of Ozone Zone – an Independent Canadian book publisher specializing in coffee table books of architectural treasures and lush gardens. We also promote fine artistic photography. This blog contains unofficial reports and comments from our various trips, photo sessions and jobs – an unofficial scrapbook of our travels, explorations and photo-related work. See “about” for more.

Posts tagged ‘art’

Painterly – art photo series by Derek Galon

Recently, we posted photos and notes from various local gardens. To break away from these, here is our 99th post – this time about art photography and old paintings. For those enjoying our travel stories – we are just scheduling our next photo trip, and will be reporting from the Caribbean soon. For the moment, let Margaret – an art historian – tell about my recent art photography series “Painterly” from her professional point of view… Thanks! Derek.

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Photography and painting have been linked together and have influenced each other since the invention of photography in 1837. Early pictorial photography tried to emulate painting by emphasizing the “atmospheric” elements: using vague shapes, dimness of outline and subdued tonalities to convey a sense of mystery. Late 20th century paintings by Photorealists were made with technical virtuosity to emulate photographic images that were frozen in time, and these paintingscouldn’t exist without photography. These are perhaps the most different examples of a strong relationship between these two unique media that share many similarities.

Anatomy Lesson.  Image awarded with FIAP Ribbon at Solway Small Print Exhibition 2013, in UK. From top left: Kristin Urbanheart Grant , Tom Gore Gore, From lower left: Aleta Eliasen Dusty, Derek Galon, Jon Hoadley Herman Surkis ,David Goatley. In horizontal position: Michael Ward.  Body paint: Kristin Urbanheart, Makeup: Aleta Eliasen,  Jon: lighting master Derek: additional body fx Dusty: costumes Herman: deliver the liver.

Anatomy Lesson. Image awarded with FIAP Ribbon at Solway Small Print Exhibition 2013, in UK. On display in Black Box Art Gallery in Portland, Oregon, USA.
From top left: Kristin Urbanheart Grant , Tom Gore Gore,
From lower left: Aleta Eliasen Dusty Hughes, Derek Galon, Jon Hoadley Herman Surkis ,David Goatley. In horizontal position: Michael Ward.
Body paint: Kristin Urbanheart, Makeup: Aleta Eliasen,
Jon: lighting master
Derek: additional body fx
Dusty: costumes
Herman: deliver the liver.

Derek Galon’s latest series of “painterly” fine art photographs draw inspiration from the art of painting in a new, creative way. His images are not a nostalgic attempt of getting back to the times when photography imitated painting. These are subjective and original creations drawing inspiration from famous masterpieces of the 18th and 19th centuries. Some refer to specific paintings: Rembrandt’s Anatomy lesson of Dr Tulp or a series of paintings, like bacchanalia by Titian. Derek’s images are a marriage between theatrical qualities of old style masterpieces (with subjects carefully posed and staged), and photography’s ability to seize the moment in time. These dynamic and arresting images portray a compelling narrative, every prominent element in a photograph serves to tell a story, a very different one each time.

When I studied fine arts, I was fascinated by old masters such as Rembrandt, Caravaggio, Titian, Brouwer,” says Derek. “After decades of photographing, working on complicated assignments, experimenting with lighting, and learning advanced computer editing, I decided I am ready to go full circle. I went back to fascinations of my younger years, creating a series of images in a painterly style. These are not copies of old masterpieces, but anhomage to their timeless excellence. My images take the essence of old canvasses – from early paintings of mythological characters, through masters of chiaroscuro, through romantic imagery of Pre-Rapahaelites – up to Surrealism.”

This version of Derek's Anatomy Lesson has an extra surprise in form of an iPad used by one of students (Derek playing the role himself).

This version of Derek’s Anatomy Lesson has an extra surprise in form of an iPad used by one of students (Derek playing the role himself).

Rembrandt’s famous painting Anatomy lesson of Dr Tulp was one of Derek’s early inspirations. Rembrandt’s brilliant group portrait was commissioned by medical doctors. Each of them paid a part of a fee and each expected to be depicted with equal prominence. Instead of featuring passively sitting or standing individuals, Rembrandt broke with tradition, choosing the scene where subjects participate in the action of a moment. Rembrandt’s revolutionary vision has a distinctively photographic quality: a photo-like dynamic scene with action frozen in time. Derek’s Anatomy Lesson relates to these narrative qualities of the masterpiece. Spectators eagerly leaning towards the corpse are in fact Derek’s friends from Victoria’s art scene, who helped him with production of the image. This is their portrait, executed with “Rembrandt style” chiaroscuro and “Rembrandt lighting” commonly utilized in fine portrait photography.

Pan, Bacchus, and Ceres.  Bacchus, Pan, and Ceres - medalist at London International Salon of Photography 2013, in UK, and Gold medal winner at 151st Edinburgh International Exhibition of Pictorial Photography 2013, in UK.With lighting assistance by Jon Hoadley. All models from Victoria, Canada. Top left: Chrisscreama, Standing Center: Walking dreamer, Bottom left: Aleta Eliasen, Daniel Corbett, Michael Ward, Derek Galon (me!), Chrisscreama again (far right), Model in front: Kim Brouseau

Bacchus, Pan, and Ceres – medalist at London International Salon of Photography 2013, in UK, and a Gold Medal winner at 151st Edinburgh International Exhibition of Pictorial Photography 2013, in UK.
With lighting assistance by Jon Hoadley.
All models from Victoria, Canada. Top left: Chrisscreama, Standing Center: Walking dreamer, Bottom left: Aleta Eliasen, Daniel Corbett, Michael Ward, Derek Galon, Chrisscreama again (far right), Model in front: Kim Brouseau

Derek’s Bacchus, Pan and Ceres is another complex image, full of compositional challenges. It is inspired by bacchanalia scenes painted by Titian for the palace of Duke Alfonso d’Este. Titian referred to these paintings as “poesie”, a visual equivalent of poetry. The scene on Derek’s photo shows a hedonistic, merry company of the wine god Bacchus, Ceres – goddess of fertility and agriculture, with Pan – the huffed god of wild nature and their friends. This mythological scene with strong erotic elements is also humorous and witty, it has a fun-filled touch to it, and a sensitively chosen colour palette.
Creating and photographing these group scenes has lots of challenges”, comments Derek. “Painters often interpret perspective or lighting rather loosely. They can bend reality to create most dynamic and impressive scenes. In a photo studio with a group of models, problems are many: unwanted shadows often cover people closely standing together, or sometimes the perspective of the background does not go together with dynamics of the front composition which may require a slightly different focal length. It takes forever to set the right lighting using many strobes, and trying to make it look very simple and natural.”

A.Brouwer Paints His Tavern Scenes. From left: Herman Surkis, Tom Gore, Dasty Hughes, Derek Galon, Jon Hoadley, Carl Constantine, Mike Hebdon, Aleta Eilasen, (+ Sally The Dog). Makeup aleta, props - Derek, Costumes - Dusty + Disguise The Limit, lighting consultation - Jon Hoadley.

A.Brouwer Paints His Tavern Scenes.
From left: Herman Surkis, Tom Gore, Dasty Hughes, Derek Galon, Jon Hoadley, Carl Constantine, Mike Hebdon, Aleta Eilasen, (+ Sally The Dog). Makeup – Aleta, props – Derek, Costumes – Dusty + Disguise The Limit, lighting consultation – Jon Hoadley.

One of the most challenging images to make was the Tavern based on genre paintings depicting scenes of everyday life, especially art of Adriaen Brouwer, Flemish artist of the 17th century. Brouwer himself felt very comfortable in taverns and often painted the peasant and “low life scenes” he witnessed. Like Brouwer’s work, Derek’s Tavern is full of movement and action. Portrait-like characters are engaged in complex interaction. Their faces are expressive, even slightly grotesque. Derek cannot resist in joining the merry company and playing a fiddle. His image is full of good-natured humour, and created with visible care for detail. The colour palette made of warm translucent browns and greys is well blended into the atmosphere of the whole. As Brouwer sometimes used his friends – painters, to model for him, Derek once again invited his friends from Victoria’s art photography scene to model for this image. One of the models actually depicts Brouwer himself, painting the vivid scene before him and clearly enjoying it.

The Knight Of Might with the fine Michael Ward from Victoria - model.

The Knight Of Might with the fine Michael Ward from Victoria – model.

While Derek’s Tavern makes you reach for a glass of beer, his Knight of Might stirs very different emotions. We see a gnarled man whose face is weathered, the skin of his face rough. Although his armoured body looks powerful and mighty, he looks exhausted, sensitive and vulnerable. He’s holding a lady’s handkerchief – is this the reason he looks so pensive? For how long he’s been separated from his loved ones, how much pain did he endure during his voyage? We’ll never know. Dark reflections of moonlight correspond with his brooding, inner landscape of the soul. This image was inspired by romantic paintings by John William Waterhouse. To successfully create specific mood and atmosphere of the image, Derek relays on models’ ability to deliver the best acting performance. Their creative output is vital to the success of the image. Here, Derek was aided by his longtime friend and a professional art model Michael Ward.

The Passing - Pieta. With Michael Ward and Stephanie Kingston.

The Passing – Pieta.
With Michael Ward and Stephanie Kingston.

Michael is also involved in another atmospheric image called The Passing – Pieta inspired by paintings of similar subjects by Michelangelo and Titian. Young woman mourning over the body of a dead man; his pale glowing flesh accentuates the feeling of sorrow and loss. The background of a derelict church reflects the feeling and mood of the piece.

Further exploration of darker themes brings Derek’s fascination with one of the most timeless and haunting Nightmare paintings by Henry Fuseli. Although having a different concept, also very Gothic and Freudian, Derek’s Monstrous Deception

Monstrous Deception - tribute to Nightmares by Henry Fuseli. WithBrandy Sapala, Derek as the monster, and Callum Shandley as the mirror reflection.

Monstrous Deception – tribute to Nightmares by Henry Fuseli. With Brandy Sapala, Derek as the monster, and Callum Shandley as the mirror reflection.

is equally scary. Like in Fuseli’s painting, the scene is made of gradual realizations; we need time to fully understand the horror. The young man kissing the girl is only a pretender. In fact, he is this shady monster-like creature who stares at us from darkness. His facial expression implies his annoyance with viewers for discovering his deception, while the lady on front of him seems to be unaware of it, falling into his trap. The scene is dramatically timed, slowly unfolding to show us additional, perhaps intentionally hidden details. Only 27 years after Fuseli painted his last version of the story, Mary Shelley wrote the famous piece of Gothic literature – Frankenstein.

Creating interaction and a narrative story in a similar way to paintings is yet another challenge. Old canvasses often have symbolic details and secondary interactions or meanings, which can be discovered as you take time to study a painting. Such multi-level dynamics require not only a fine planning and preparation, but also good acting skills of all the models, great concentration during the shoot and lots of patience. Many of my ready images are actually combined from best parts of several shots, like a jigsaw puzzle assembled of the most attractive elements picked from the whole session. Finely painted flying cherubs, angels, or special effects dazzling us on old masterpieces, require much planning and meticulous photo editing and I wish I could just paint them on my photos instead.”

Brown Over Green - Still Life. A tribute to paintings by Chardin.

Brown Over Green – Still Life. A tribute to paintings by Chardin.

Derek’s still life image Green Over Brown brings a different mood. Without the drama of other photographs in this series, it depicts a simple world of austerity and calm. You almost need to slow yourself down to appreciate it. Inspired by masters of still life, especially Chardin and Spanish “bodegon” painters, it shows the beauty of everyday objects that surround us. The items portrayed were selected not for their allegorical vanitas meaning but for their shapes, textures and colors. The objects are gradually emerging from the subtly toned background.

Pygmalion - a tribute to Jean Gerome, one of Derek's favourite old masters. Xevv McModel and Brandon L. - models, makeup/body paint by Aleta Eliasen, light consultant - Jon Hoadley.

Pygmalion – a tribute to Jean Gerome, one of Derek’s favourite old masters.
Xevv McModel and Brandon L. – models, makeup/body paint by Aleta Eliasen, light consultant – Jon Hoadley.

Jean-Leon Gerome, the prominent artist of Orientalism movement, was a keen follower of photography and adopted this new media for his work. He was an indefatigable traveller to the Middle East, frequently accompanied by a photographer. Gerome’s technique was of impeccable precision, and some of his paintings have almost visual reality and crispness of Photorealism. Derek’s Pygmalion drew inspiration from Gerome’s versions of the mythological story of Pygmalion, an artist who fell in love with the sculpture he created. The image depicts the moment when the sculpture of Galatea is brought to life by Pygmalion’s kiss.

For me, masterpiece paintings are the source of limitless inspiration. No matter how fancy our digital imaging will get, old canvasses will never stop thrilling us” – says Derek. Photographing architecture and landscape foran everyday living, I return to my world of art images like to my sanctuary, and I treasure every moment of this work. Now, with my art winning medals, getting internationally exhibited and sold, it gives me even more motivation than ever to continue.”

by Margaret Gajek, MA, writer, researcher, art historian, co-founder of Ozone Zone Books


All images copyright Derek Galon. Please respect our copyright. Thank you.

Derek’s art prints (limited editions and open editions) are available directly by contacting him at:
derek (at) ozonezonebooks.com  or from the Gallery Vibrante.Thank you, until next time – we hope you enjoyed this post! If you did, please FOLLOW us, click SHARE and show it to your friends.

Taken By Angels - Derek Galon's more contemporary, light-hearted and humourous image taking from old canvas masters.  With Michael Ward, Sharon Ace, Aleta Eliasen, Karissa T. and Jen Wright - models. Makeup - Aleta Eliasen.

Taken By Angels – Derek Galon’s more contemporary, light-hearted and humourous image taking from old canvas masters. With Michael Ward, Sharon Ace, Aleta Eliasen, Karissa T. and Jen Wright – models. Makeup – Aleta Eliasen.

Last Few Weeks

hatley1bNot much happened with our travel plans since my last post. There are some technical issues delaying our next trip to Montserrat. Therefore we spent last few weeks visiting and photographing our favourite local gardens. Some of them we already presented on this blog – but at a different time of the year. Now, with wisterias and rhododendrons in full bloom, these gardens look just spectacular!

hatley-bridgeOne of our favourite gardens is the Hatley Park, a large chunk of land on grounds of Royal Roads university in Victoria. It is divided to several sections, such as Italian garden (with fine wisterias), Rose garden – which is just starting to bloom, and the oldest Japanese garden in the whole BC.

I hope these few photos from there are to your liking.

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Another garden we visited was the Finnerty Garden belonging to the UVIC. Well kept, with a massive number of rhododendrons, it is another place to enjoy in Victoria – and there is no fee for your visit.

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Smaller, but very well established Playfair park, has very large, matured rhododendrons. They are so huge that you can walk under them, and enjoy the colourful carpet of fallen flowers.

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It is remarkable how different in feel these places are. All of them have lots of rhodos, but each garden lives its own, unique life, offering a totally different experience.

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The unusual rainy weather we are having made all colours juicier, more dense, and all these places are lush and full of life. It is great to travel, but we should never forget to enjoy what we have at our door step.

To fill you with other things – last time, I reported about a second place at IGPOTY (UK) and the Gold Medal in Austria. Well, just after that I received another exciting news – London Salon of Photography – one of the most progressive international competitions/exhibitions awarded my Bacchus, Pan and Ceres with another Medal._DAG5206_7

I also had couple of studio art sessions and I am now editing my newest works. Ah, one of my newest is already done – with great help and assistance from Margaret – my newest auto-portrait! I hope you enjoy!

Bacchus, Pan, and Ceres - awarded in London.

Bacchus, Pan, and Ceres – awarded in London.

Thank you, I hope to see you soon, when I place our next post. Bye for now, and SHARE if you like these images.

My auto-portrait.

My auto-portrait.

Cheers!

Derek

All photos copyright Derek Galon, Ozone zone Books, please respect our copyright. Thank you!

All Colours of Life – in memory of Anna M. Galon, 1926 – 2013

Anna with father, colonel Zbigniew Brochwicz Lewinski.

Anna with father, colonel Zbigniew Brochwicz Lewinski.

We usually post here notes from our journeys, or photography related stories. Today however, we share with you a sad story about a last journey – the one we are all to make one day to come.
Last month we lost Anna, a fine editor working closely with us on our Ozone Zone books. She also happened to be my mother. A double loss – like a single loss is not enough. She was an internationally respected language expert, and we were lucky to have her in our team. She was an exceptional person, and we were lucky to be in her family. It is now hard to come to terms with the simple fact of her departure – forever. Perhaps we should find some comfort in knowing that she had a long, very colourful, although sometimes quite dramatic life.
Anna M. Galon (often using her maiden name Brochwicz – Lewinska) was born before the Second World War in Poland, in a very privileged family. Her father, colonel Zbigniew Brochwicz Lewinski, was one of the most trusted officers of marshal Josef Pilsudski – the legendary Polish leader behind many Polish successes of early twentieth century. In fact, marshal Pilsudski was Anna’s Godfather. Her early childhood was filled with interesting people and travels, and with lots of happiness.  But it all ended too soon.

As a young girl, she was thrown with her family by the war on a lengthy and painful path of constant escape through Rumania, Italy, and France, to eventually land on the British soil. Anna spent there many years studying arts, philosophy and literature at the University of Glasgow, and the famous Glasgow School of Art (later studying also at Oxford). Scotland became her new, or perhaps the REAL home to her. However, she fell in love with a young and attractive Polish concert pianist Lucjan Galon. When deciding to return with him back to Poland, little did she know it will totally change her entire life. Going back to a different, communist Poland was a one-way-ticket kind of trip. Once there, you had no way of going back (or anywhere else, for that matter), and coming from the “capitalist West” you were under magnified glass of communist special services for a long time.

Fifties and sixties brought for her harshness of everyday reality and proved a tough time to bring-up and educate two boys – Daniel and Derek. She never felt at home in this totally different Poland  managed by the heavy Soviet hand. Anna found a refuge in classical music, also indulging herself in teachings of the East, studying various masters from India. She found some fulfilment in teaching languages, also sharing her extensive knowledge of Tibetan and Indian philosophy – making life-long, deeply-rooted friendships with some of her students.

malwina-sm

University years – Anna Malwina Galon in Scotland.

To Canada she went unexpectedly in early eighties. Divorced for some time, she packed her things in a hurry at the news of her older son Daniel being gravely ill. Daniel escaped from Poland couple of years earlier, and emigrated to Ottawa. There, diagnosed with severe heart condition he did undergo a life-saving heart transplant operation. Anna stayed in Ottawa to help with Daniel’s recovery, and never returned to Poland. But she wasn’t entirely happy in Ottawa either. Fluent in several languages, she reinvented herself as an accredited court interpreter, also translating for Canadian government, various writers and also poets. Translating poetry was always a joy for her, and she did it splendidly. Perhaps because – as her brother Andrew recently said – Anna did not translate just words – she was great at translating the meaning.

At that time – it was in late eighties – we both with Margaret arrived in Canada, but not being in love with Ottawa, we soon moved to Victoria. Then, some ten years later my brother Daniel died, using up the gift of extra years of life he received from Canadian doctors. It was a devastating time for my mother, and soon after, she decided to move to Victoria and join us. And here, in Victoria, a small miracle happened. She met lots of interesting people and made lots of very good friends. Anna also found a group of people with whom she could pursue her passion for poetry – she simply found her home! Yes, last years of Anna’s life in Victoria became perhaps her most happy time. Still translating to make a living, she devoted herself to arts, creating well respected “Poetry Lovers’ Circle”. Public performances with the Circle, presentations of best Polish poems translated often by herself, and world poetry readings at the exclusive La Run theatre rewarded her for many hard years. This was the food for her soul, and her joy. Only the closest friends knew that for each performance she paid with days, and later with weeks of health problems. She never complained, and always found reasons to be happy. But while Anna’s soul was in bloom, her health sharply deteriorated – she became practically homebound.

malwina-z-lucjanem-sm

Anna with her husband, concert pianist Lucjan Galon

Unable to perform with the Poetry Lovers’ Circle, Anna concentrated on studying teachings of the East thought by her friend and spiritual teacher, Nadhia Sutara. Poetry and writing remained vital for her, same as working with us on our books. Her mind was always so fresh, crisp and young that people talking to Anna by phone never realized they talk to a lady over eighty years old.

Postponing and cancelling our overseas photo jobs we were able to be with her on her last days. She suffered badly, enduring strong pain. We will never forget her incredibly brave attitude and amazing detachment from unbearable pain and misery of her body. In her last hours she cracked some very sharp jokes about her passing, and her very last words were to thank all people she knew – for  interacting with her life, both in good and not so good ways.
She left behind a walking stick awaiting in vain her touch, an old computer on which she typed with her sore fingers her last poems, and a sense of emptiness – a great sadness that we could not be with her for any longer.

Anna Galon in Victoria

Anna Galon in Victoria

Her friend Nadhia at the news of Anna’s passing, wrote from her ashram in India a few words which perhaps best summarize Anna: “I shall dearly miss her, as I am sure you both will. She was a great inspiration to me all these years, especially as her health deteriorated. She always found something to be grateful for, something to rejoice in, and never ever complained. I have invariably found people get ‘deader’, not wiser, as they get older, but Anna was the greatest exception and a wonder to me. I’ve never met anyone over 50 who was so alive, so innerly vital, so willing to grow and break new ground as she. I’m a typically broken product of the ‘Great American Dream’ (Nightmare, actually, as you are finding), unable to deeply love or trust anything, and her gift for unconditional love and trust left me breathless.”

Derek Galon and Margaret Gajek

Stashing for a rainy day

Every sight and sound that charms you ––
stash it!

Stash away prudently:
sunlight sparkling on the snow
the trembling
of a raindrop on a pendant leaf
mist over meadow…  a duck among reeds…

a heron
tall and intense on its rock
by the water’s edge

the symphony of the forest…
wind whispering among leaves

plump groundhog
– little brown pillar of curiosity
on watch among the weeds…

the inconceivable vastness of ocean
hurling its might against the shore

a blade of grass
a flower

each moment of delight ––
Stash it!

Carefully put it away
into the storehouse of joy
within your heart

For future use…
for a rainy day…

To act as source of strength and endurance
through frosty winters and dark nights
through quagmires of despair…

Reminders of light!

Anna M. Galon
Ottawa, New Year’s Eve, 1989/90

Bequia, a Feast of Colors – book already printed

3141We received several messages asking when the previously mentioned book Bequia, a Feast of Colors will be ready. We had a bit of delay caused by an emergency in my family, but now all things are back in their tracks, and I am happy to say the book is already printed. It is being packed for cargo shipment, and I expect it soon will become available. You will see it available on Julie’s (author’s) site here and we also will post the news about it. It may take some extra weeks for Amazon to add it to their inventory.  Anyway, it is ready, and I would like to share with you the very first photos of this -still smelling of print- book, I received these from our printer just today. Looks good to me!3143

Cheers!
Derek

PS
We went totally silent in last weeks, sorry. It was because of my family emergency and funeral. I personally lost my mother, and we – Ozone Zone – lost an amazing team member, experienced editor and translator. Anna was behind our multi awarded books Tropical Homes of the Eastern Caribbean, and Exotic Gardens of the Eastern Caribbean. With fine poetry and literature translated to several languages, decades of studying literature, philosophy and arts (universities in Glasgow, Oxford, and Torun), Anna became internationally respected language expert, and we were lucky to have her assistance. We will miss her on every step.3142
Her fantastic editing skills helped our books get all these awards. She worked with us on our another book, and we hope to see that book published soon. Thank you Anna for your amazing work. And thank you, Mother, for being such fine person I will remember.  Margaret plans to post a story in her memory, once we get a better grip on everyday life once again.

The Knight Of Might – His Longest Night



Trying to have a break from Caribbean and architecture photography every now and then, I enjoy working with models from Victoria.
Continuing with series of portraits and studio works, I just had the privilege of working with a seasoned artists’ model, Michael Ward. He models professionally for some 30 years, and over this period of time worked with countless fine artists – photographers, sculptors and painters alike. Shooting with him was a real treat, and I was excited that he agreed to model for me in his fine armour from Britain – one of his 250 outfits, as I learned. We also selected one of his swords – a fine authentic Claymore blade.
I spent a bit of time thinking ahead about the concept for the shoot. Surely, photographing a knight in armour asks for some mystical ambiance, a fairy tale like scenery, and for atmosphere like from famous William Waterhouse paintings. But if I would go too much this direction -and only this direction-  it could be risky, touching of a cheap and pretentious style. So, I decided to combine the mystical feel of this shoot with real feelings and expressions – a deeper human drama.

How was it to be a warrior on his long battle path centuries ago? How many horrors hardened his soul, how many tragedies and lost comrades made him weep when nobody was watching? Were there enough of happier moments helping soothe his way through pain in the name of glory, God, and loyalty?
How about physical pain? The 40 kilograms of armour made him really heavy, struggling with every step and move. Wearing it in hot sun would add to this misery. Just helping Michael to dress for our shoot was an eye-opener for me. This gear is amazingly heavy and uncomfortable.

What about such knight’s personal matters? If he was lucky, his beloved woman would wait patiently for his return home. But without any means of regular communication he would only keep his faith and remember her by embracing a little treasure she gave him as farewell gift – perhaps a handkerchief, a locket?
I decided that my Knight has to be a tragic person, longing, almost broken by too many unknown factors and hardships – but still believing in his return home and victory.

We discussed details with Michael prior to our session, and when he started to act – it was pure perfection. He gave me all I wanted – and more.
Rough and rocky ocean location near Taylor Road in Metchosin near Victoria, added to the feel of our setting.
For most shots I used a  white balance shifted to tungsten light, and flashes with yellow gels, creating a late evening and bonfire mood.
The whole series has about a dozen of very different images. Some of them are saturated with vibrant colours, some are more documentary in character black and whites. I will remember working with Michael on this shoot for long time, and I hope you find these images interesting.
Live long, my knight. Let your path be filled with victories, so you can return to your castle with pride.

If you like it, please click SHARE on right top side of this post.
More photos from this series on my Model Mayhem page.

All photos copyright Derek Galon, please respect it.
Some of these images are available for purchase at Art Gallery Vibrante
This is a re-post from my older blog which had very limited number of visiors, before I switched to WordPress.

Among the Ancient Gods (an art photo shoot)

Post contains some fine art nudity [partial nudity]. Be warned. 18+ only).
After all the editing work on the book “Bequia – the Feast of Colours”, I needed to unwind. The book went off to our printers, and me – as I often do in such moments – I decided for an art shoot. Such shoots where I can let my fantasy loose, help me bring back my balance and recover energy. As it happened, my friend and fantastic artists’ model, Michael Ward, had just recently suggested to shoot an image based on Greek and Roman mythology.

He had a concept for a large, festive scene, and I myself had already been thinking for a while of shooting a large group of art models. Such a shoot would bring new challenges and experience, it would expand my skills.

Pan and Psyche

Pan and Psyche

I listened to Michael’s story; a feast of Bacchus and his companions – some familiar antique gods and goddesses, perhaps Pan with his half-man, half-goat, panting presence… And definitely with Ceres – the Rubensesque, full-bodied goddess of fertility. These ideas began to roll in my head, and gradually I visualized the whole scene. Yes, it would be a festive group drinking wine, flirting and having fun (with Pan’s presence insinuating a note of erotic energy on the set). I decided to keep it in the style of old paintings such as canvases by Titian or Caravaggio, and so a Cupid seemed a nice extra touch. Light would be used scarcely, highlighting the most important parts of the composition, but letting the less important elements drown in darkness.

Margaret, being an art historian, quickly suggested some fine details for the image. Oranges and grapes, some primitive musical instruments, flowery wreaths. Now the image was fully developed in my head.

photographing Cupid

photographing Cupid

The whole shoot preparation unfolded under a lucky star – fantastic art photographer Jon Hoadley, a real master of studio light, offered his assistance, and Michael was able to get another professional arts model – Kim Brouseau, to impersonate Ceres. After booking all the other models, we went with Michael to Disguise The Limit costume rentals to find some props. Some models also helped with props – it was truly a nice team work.

Jon Hoadley contemplates Zen of Perfect Lighting

Jon Hoadley contemplates Zen of Perfect Lighting

When the day came – after setting the studio stage – we were ready to shoot.While Aleta Eliasen, my friend and fine makeup artist, prepared models, Jon presented me with his idea of lighting. It was perfect, and after some small tweaks and test shots, I was totally happy with it. The light seemed natural, toned in one part with warmth of a remote bonfire. While most important part of composition was lit rather brightly, the light softly blended down, to fade into almost complete darkness of the background.

We did some solo, duo, and trio test shots – which were so nice that I kept them as separate images for this series. Next, we had to shoot the Cupid. It was fun – if not really for the model – at least for those watching. Shooting Cupid separately from the rest of the group allowed me to freely put it in the best spot later, using Photoshop.

One of test shots...

One of test shots…

We were ready for the main scene, and it was sheer fun! The idea suggested by Margaret, to have cross-linked interaction between various persons, connecting the front group with the back, worked really well. Everyone got their particular tasks, and we went ahead photographing.

I used my Nikon D800 on a tripod, to keep the same selected crop, when capturing various poses and models’ expressions. Tethering it all using fantastic software ControlMyNikon proved to be of real advantage. Every smallest detail was controllable, the models had a way of seeing themselves perform, and I could quickly review all the shoots.

The scene we created needed two extra persons – a woman and a man. Aleta, our makeup artist, graciously decided to help, and turned herself into an attractive partner of Pan. I quickly decided to help too, and transferred myself into some drunk, rough character in the background. I bet all the models had fun seeing me running around half-naked, in a turban, back and forth between back of the scene and the camera set in front!

All in all – it was a very demanding project and a real challenge on many levels. Photoshopping it in the style of traditional paintings was another part of this fun, and I enjoyed every minute of it. And here it is – the final image “Pan, Bacchus and Ceres” having a good time with their guests. While trying to keep it in line with the old paintings, we loosened it up here and there with subtle additions of drinking glass goblets and an impressive glass bottle.

Pan, Bacchus, and Ceres.All models from Victoria, Canada. Top left: Chrisscreama, Standing Center: Walking dreamer, Bottom left: Aleta Eliasen, Daniel Corbett, Michael Ward, Derek Galon (me!), Chrisscreama again (far right), Model in front: Kim Brouseau

Pan, Bacchus, and Ceres.
All models from Victoria, Canada. Top left: Chrisscreama, Standing Center: Walking Dreamer, Bottom left: Aleta Eliasen, Daniel Corbett, Michael Ward, Derek Galon (me!), Chrisscreama again (far right), Model in front: Kim Brouseau

I hope you enjoy this image. If you do – the purpose of it all has been served!

Cheers!
Derek

If you enjoy this story, please SHARE it with friends, and FOLLOW this blog to get notifications on further posts.

All photographs copyright Derek Galon, please respect the copyright.
This image “Pan, Bacchus and Ceres” can be ordered as a limited edition signed print from Photo Art Gallery Vibrante, or as a smaller, open edition print from 1X.com

You can also see it in bigger size on 1X.
A separate story on art of Jon Hoadley was posted here.
An earlier story on working with Michael Ward (Knight of Might) was posted here.
My review of ControlMyNikon is here.

Jon Hoadley – Between Light And Shadow

4e94e2c7ae9d1In our previous post we profiled Julie Lea – a fine painter from far-away Bequia. Today, we will bring you closer to our roots – photography. We also return closer to our home – Victoria, BC, Canada. Right here, at our doorstep in Victoria, you can meet one of the finest, most outstanding photographers we know. It’s Jon Hoadley – a real master of studio art photography. Working in the same studio space since 1984, he can be compared to the great Dutch or Italian painters of the past centuries.

_MIK2361Perhaps the most visually arresting aspect of Jon’s work is his masterful use of light and shade. He is a virtuoso of chiaroscuro and “shading” – creating depth by using light effects. Shadow and light are powerfully contrasted and used in different degrees, subtle or strong. They are deliberately interwoven to give the work spatial and psychological depth and to create an atmospheric mood. On the human body, chiaroscuro makes a very powerful effect.4aa10d3bd7e9a

Had Jon been born a painter in Italy in the early 17th century, he would easily be one of the followers of Caravaggio, a master of powerful chiaroscuro, whose use of light to create dramatic intensity inspired generations of artists often called “Tenebrists” or “Tenebrosi” (“Shadowists”). 50c15dc87a679Jon’s work often reminds me of other paintings by famous masters of light, like the 17th century Spanish painters, with Jose de Ribera among them. Perhaps Jon doesn’t always seek such strong dramatic effects. The light in his art portraits is often used to create a broader and more intimate union between figure and space.

493f0ba58c704Similar in feel to fine paintings, Jon’s portraits are carefully composed and stylized. Only the photographers themselves and models (sometimes exhausted after the process) know how much time and energy consuming such shoots are; how much care, and – clearly, love – goes into their preparation and each actual photo session. Not to mention hours of digital work afterwards “to get the image right.” And yet, Jon’s photographs don’t appear to be that heavily staged and controlled. Models are given freedom of expression within the boundaries of the image. That gives us, the viewers, a glimpse into their true personalities, each different and unique. It also creates a psychological bond, touching directly the viewer’s soul, a rare feature in art of portraiture today.

49c1b3a6907a5Obsessed with fine nuances of light and forms of the human body (be it in portraits, art nudes, or other styles), Jon Hoadley works tirelessly expanding his huge collection of masterpieces. Digital photography gave him much needed expansion of editing tools.

Earlier back, he worked very successfully on the international commercial scene, photographing for renowned brands; but although his photographs were winning awards, he was never really interested in that or in any competitions.

Same with his self-promotion – rather than making efforts to promote and market himself, he uses all his energy and time to create ever new images. For those reasons, Hoadley’s works are relatively little known – but they stand really strong among the best of art portraits on the international scene – real masterpieces, fit for the finest collections. His best, heart-and-mind-touching art, selected for limited editions, can be displayed proudly by the most discerning connoisseurs.4f30b73de8b56

4974036fe8134See more works by Jon at www.modelmayhem.com
Browse and order his art prints at Photo Gallery Vibrante

We hope you enjoyed this post. If so – please SHARE with friends.

Until next time!
Cheers!

Text by Margaret Gajek, art historian, researcher, writer
and by Derek Galon, photographer

4a6fcca643dbe

Images – copyright Jon Hoadley – please respect his copyright.

Jon Hoadley contemplating Zen of Perfect Lighting

Jon Hoadley contemplating Zen of Perfect Lighting

Bequia, a Feast of Colour – Ozone Zone’s New Book

Port Elizabeth harbor front, 1979, “coffee stain” painting, collection Lou Keane, BequiaWhen he first came to Bequia, Peter didn’t have any paints. He used pens and ink. He made paint from instant coffee mixed with water. He’d make a little painting, sell it, and when that money was gone, he’d paint another picture. This one shows the SIMONE V, a Guyanese wooden sloop trading between Barbados and Bequia. The Bequia Chandlery, now the Bequia Bookshop, is at the center of the sketch and the old Barclay’s Bank building, now Solana’s, is at the right. Empty steel drums lined up on the beach were filled with water and used as ballast. The little ground floor shop sold plumbing fittings.Nolly Simmons

Port Elizabeth harbor front, 1979, “coffee stain” painting, collection Lou Keane, Bequia
When he first came to Bequia, Peter didn’t have any paints. He used pens and ink. He made paint from instant coffee mixed with water. He’d make a little painting, sell it, and when that money was gone, he’d paint another picture. This one shows the SIMONE V, a Guyanese wooden sloop trading between Barbados and Bequia. The Bequia Chandlery, now the Bequia Bookshop, is at the center of the sketch and the old Barclay’s Bank building, now Solana’s, is at the right. Empty steel drums lined up on the beach were filled with water and used as ballast. The little ground floor shop sold plumbing fittings.
Nolly Simmons

We are excited to share with you some fresh good news:  We are just finishing a new book, which will be published by Ozone Zone. It’s again a Caribbean-related title, full of paintings by Peter Carr, an artist from Australia, who was fascinated by the beauty of Bequia, a small island belonging to St Vincent and the Grenadines. It’s actually much more than a book of paintings. A friend of Peter Carr’s, Julie Savage Lea, herself a fine painter living on Bequia, has put together some fascinating memories and comments by selected Bequia residents, and used them as descriptive reference for Peter’s paintings. The result is a colourful book telling the story of Bequia, its local traditions, important historical moments, treasures, local customs, and much more. You can get quickly drawn into reading this vivid story – it’s like visiting Bequia with a great guide, and having fine watercolours illustrate the story at every step you make.

Port Elizabeth, Bequia, 1999, watercolor, collection of Cedric Bourdereau, FranceUsed by pirates and the French and British Royal Navies in turns, the early settlement, a thriving port with limited fresh water, was initially called “Harbour Town.” In the ensuing years, nineteenth century whaling ships, mostly from New England, gave way to locally-built trading sloops and schooners. In 1937, “The Harbour” was declared “Port Elizabeth” by King George VI, in honor of his oldest daughter. By the 1950’s, charter yachts and motor vessels began to appear in the bay. Traditional fishing and boat building declined. Since the ‘70’s, bare boats and catamarans have become ubiquitous. Rental villas, construction projects, and tourism are now the economic forces in Bequia.Bob Berlinghof

Port Elizabeth, Bequia, 1999, watercolor, collection of Cedric Bourdereau, France
Used by pirates and the French and British Royal Navies in turns, the early settlement, a thriving port with limited fresh water, was initially called “Harbour Town.” In the ensuing years, nineteenth century whaling ships, mostly from New England, gave way to locally-built trading sloops and schooners. In 1937, “The Harbour” was declared “Port Elizabeth” by King George VI, in honor of his oldest daughter. By the 1950’s, charter yachts and motor vessels began to appear in the bay. Traditional fishing and boat building declined. Since the ‘70’s, bare boats and catamarans have become ubiquitous. Rental villas, construction projects, and tourism are now the economic forces in Bequia.
Bob Berlinghof

For us this new book is a natural continuation of our on-going Caribbean theme. Things tend to unfold harmoniously when you are working in the Caribbean.
We met Julie when working on our first Caribbean book ,“Tropical Homes of the Eastern Caribbean”.  We had appointments scheduled nearby on the famous island of Mustique, and we heard about Julie’s studio by chance in our hotel. A quick decision, and a couple of hours later we were on a ferry to Bequia, to visit her in her studio – the charming Mango Cottage. In fact, I believe Julie Lea deserves a separate blog post. Yes, why not? In our next post we will profile Julie and her works – we will invite you to her Mango Cottage. It’s quite a unique place, we’ve dedicated a whole chapter to it in our Tropical Homes book.

Bow of WATER PEARL, built on Belmont beach, Admiralty Bay, 1980, watercolor. An earlier schooner with the same name, owned by J.F. and Reginald Mitchell, was finished near this site, in 1932In the late 70’s, Californian Chris Bowman and I were co-contractors for a 68-ft. traditional wooden schooner, WATER PEARL, built for Bob Dylan near the present Dive Bequia, just off The Belmont Walkway. We hired some of the best shipwrights in Bequia—Albert Crosby, Lincoln Ollivierre, Lanceford Hazell, Herbert Ollivierre, Gilbert Hazell. She was handmade with pride. Her ribs were Bequia white cedar curved to the right shape by the N.E. Trades. Her planking was Guyanese hardwood. Her bulwarks were dark as ebony and finished with gleaming brass fittings. It took three years to build her. We launched her on December 9, 1980, with an all day celebration.Five years later, WATER PEARL ran aground and sank off the coast of Panama. All of Bequia wept. “All...that...HARD...work!” said “Linky” Ollivierre. Nolly Simmons

Bow of WATER PEARL, built on Belmont beach, Admiralty Bay, 1980, watercolor. An earlier schooner with the same name, owned by J.F. and Reginald Mitchell, was finished near this site, in 1932
In the late 70’s, Californian Chris Bowman and I were co-contractors for a 68-ft. traditional wooden schooner, WATER PEARL, built for Bob Dylan near the present Dive Bequia, just off The Belmont Walkway. We hired some of the best shipwrights in Bequia—Albert Crosby, Lincoln Ollivierre, Lanceford Hazell, Herbert Ollivierre, Gilbert Hazell. She was handmade with pride. Her ribs were Bequia white cedar curved to the right shape by the N.E. Trades. Her planking was Guyanese hardwood. Her bulwarks were dark as ebony and finished with gleaming brass fittings. It took three years to build her. We launched her on December 9, 1980, with an all day celebration.
Five years later, WATER PEARL ran aground and sank off the coast of Panama. All of Bequia wept. “All…that…HARD…work!” said “Linky” Ollivierre. Nolly Simmons

Am I drifting away from the main theme – Bequia, a Feast of Color? Yes, perhaps – but as I just said, things about the Caribbean tend to unfold naturally, leading one to another. We are really excited about this new, upcoming book. Attention to detail and close collaboration between all the people involved in the production, made it a truly rewarding experience. I took all the  time to make sure all the paintings look in the book as close to the original as possible, and now it’s ready to go to print. It will be printed by our long-time partners, who stand behind the quality awards received by our Tropical Homes and Exotic Gardens books. Unfortunately, the printing, cargo shipping, and distribution all take time – and therefore this book will not be ready for Christmas. A pity, for coffee table books make really classy and elegant gifts. But there is always the next time, so let’s wait for this newcomer. It will be worth it.

cover-homes-600px-sRGBIf you like coffee table books as much as we do, and if you came upon our blog rather recently and are not familiar with our early posts – then perhaps I should introduce our previous Caribbean-themed books – which enjoy world-wide distribution, numerous international awards and 5-star reviews. Both these titles were multiple times on Amazon’s top-seller lists, and their various enthusiastic endorsements were our best reward for years of passion put into their creation.

From Tropical Homes of the Eastern Caribbean

From Tropical Homes of the Eastern Caribbean

The first one was Tropical Homes of the Eastern Caribbean. San Francisco Book Reviews in 2010 called it “A book so thick and decadent you can almost feel the tropical warmth penetrating from the heady images.”
Another magazine wrote: “A delirious architectural tour of the most exotic and fanciful homes in the Caribbean, this exquisitely photographed collection of eye-popping residences is bursting with playfully challenging design. While the work featured might not be applicable to every home, getting lost in the images is a vacation in itself.

From Tropical Homes of the Eastern Caribbean

From Tropical Homes of the Eastern Caribbean

The sense of liberation and unbridled exuberance is nothing short of thrilling. This gets my vote for best book to curl up with in January when you want a respite from the Wisconsin winter. “ – (Robert Bundy, Milwaukee Home & fine living July 2010)
Readers seem to have a similar opinion, to quote one of Amazon’s: “This is a jaw-droppingly beautiful book; a feast for the eyes! It takes the reader into private worlds of exquisite gardens and houses, created by the most tasteful, sophisticated and (one assumes) wealthy inhabitants of this favoured part of the world.

From Tropical Homes of the Eastern Caribbean

From Tropical Homes of the Eastern Caribbean

Derek Galon’s photography is masterful – full of juicy colours, whimsey and entrancing details. Margaret Gajek’s text is both knowledgeable (she has a background in architectural history) and very readable. Highly recommended. Guaranteed to take you away from a dull, North American winter!”  (- Susan Scott). While spending an enormous amount of time and effort on producing this title, we never expected the reception to go to such degrees of enthusiasm, so these comments are really our greatest reward. You can browse this book, read more about it, and perhaps choose it as your perfect gift, on Amazon’s sites.

From Tropical Homes of the Eastern Caribbean

From Tropical Homes of the Eastern Caribbean

Here are direct book links to three main ones,  where it is available at a big discount now:
Amazon USA
Amazon Canada
Amazon UK

Our next Caribbean title was born shortly after Tropical Homes. Exotic Gardens of The Eastern Caribbean followed the success path of our previous title, and even exceeded it with the prestigious Nautilus Book Award 2011. Exotic Gardens of the Eastern Caribbean - our next bookIt also received fantastic reviews and endorsements. Halifax Herald wrote: “If you’ve ever visited one of these islands, this is a wonderful keepsake; if you’ve never been, it’s a temptation to go.”

Another comment comes from a known British media celebrity – Stuart Hall from BBC, ITV ( It’s A Knockout, Look North): “It is a masterpiece, an amazing work of sheer artistry, imagination, and indeed of romance.”
Other artists shared this view: “It looks like a labour of love, and you have every right to be proud of it. And it’s amazing that this is bilingual too. Just on the first flipping through, we are already overwhelmed by the images and thoughts. Congratulations!” – Robert Bateman and Birgit Freybe Bateman.

From Exotic Gardens of the Eastern Caribbean

From Exotic Gardens of the Eastern Caribbean

Comments of other readers were similarly upbeat: “This book is well written and has stunning photography, superbly arranged and produced. For those of us who have enjoyed travelling to the Eastern Caribbean, these are the pictures we tried to take but couldn’t. This is the kind of book we want on the coffee table, to leaf through and admire.” “This book is absolutely gorgeous! We have it on our coffee table, and are so inspired by all the beautiful photographs. This book would make an excellent gift for anyone interested in gardening, or anyone who loves to daydream about living in the tropics!” (Amazon’s reader).

From Exotic Gardens of the Eastern Caribbean

From Exotic Gardens of the Eastern Caribbean

Exotic Gardens shows a wide selection of unique Caribbean gardens, and the final chapter demonstrates ideas for flower arrangements using tropical flowers, with step-by-step instructions for three unique flower arrangements, done by fine flower designers from Grenada, with their original comments. The book also includes an audio CD with one hour of Caribbean nature sounds, to offer an enhanced reading and browsing experience.  Yes, experience may be the word – and it was used in the most recent reader’s comment on Amazon UK site: “Exotic Gardens is more than just another coffee-table book; it is an experience. From small gardens to grand gardens, this tour through selected islands of the Eastern Caribbean is an absolute delight. The photography is nothing short of stunning, to which the insightful commentary is the consummate foil. For garden-lovers visiting the islands, this sumptuous volume is the perfect introduction to some of the rare and exotic plants that might be seen.”

From Exotic Gardens of the Eastern Caribbean

From Exotic Gardens of the Eastern Caribbean

This is perhaps the most fantastic review of our book ever, and it makes us truly happy. You can browse Exotic Gardens, read more about it, and perhaps choose it as your perfect gift, on Amazon’s sites.
Here are direct book links to three main ones, where it is available at a big discount now:
Amazon USA
Amazon Canada
Amazon UK

From Exotic Gardens of the Eastern Caribbean

From Exotic Gardens of the Eastern Caribbean

Working on several projects at the same time, we missed seeing the newly added readers’ comments on Amazon and other bookstore sites. We discovered them only recently – and so we wanted to share all that with you. After all, this is the blog of a book publisher specializing in Caribbean coffee table books. We often share with you stories about our other trips, shoots and experiences – but Caribbean books are always an important theme that’s very close to us.

From Exotic Gardens of the Eastern Caribbean

From Exotic Gardens of the Eastern Caribbean

Announcing our new title made me also step back in time and introduce our previous titles to those of you who found this blog more recently. If you go back to our earliest posts, you will find stories from our first Caribbean trips, sharing the adventure of producing our first title.

From Exotic Gardens of the Eastern Caribbean

From Exotic Gardens of the Eastern Caribbean

I hope you enjoyed this bit of retrospective, which is always very close to our hearts. In the next blog – more about Bequia artist, Julie Savage Lea.

Cheers! Until next time!
Derek

Photos of paintings copyright Peter Carr, Ozone Zone Books.
Other photos: Derek Galon – please respect our copyright.

Breathing Color – Amazing Photo Papers

Tile Tales looks spectacular on Metallic paper. All bright parts are almost glowing.

I recently prepared several prints for a Photo Salon in Japan, and used this opportunity to work on newly purchased selection of papers from a young, dynamic company Breathing Color. Results of that work are so pleasing that I decided to share them with you ASAP.

Normally I would use this kind of post  in my other, more technical blog (and maybe I will repost it there too). But this story is bordering between technical, and a simple sharing of a great photo experience. It also shows several photographs from my portfolio – therefore I decided to post it here.

Preparing for THE 73rd INTERNATIONAL PHOTOGRAPHIC SALON OF JAPAN, I selected images of different styles, subjects and techniques. Among them, my favourite image with model Koko, called Tile Tales (which -by the way- have been just published in a limited edition book showing select fine art photography from around the world, and titled No Words, by the prestigious Scandinavian gallery 1X.).

This image looks almost black and white, it is full of luminescence and contrasts. Along with Tile Tales I selected some densely colorful images, as well as couple of real black and whites. That choice made for a perfect testing ground for my newly purchased Breathing Color papers.

Silvery-grey clay on No Nirvana image simply shines when printed on Metallic paper.

Knowing well how the “Tile Tales” looks on traditional glossy and pearl Ilford papers, I was curious how it will look on Breathing Color’s Vibrance Metallic. This paper intrigued me instantly. It has a high gloss finish, and its surface looks a bit like mother of pearl, reflecting light in a very interesting way.
So, I printed Tile Tiles – and could not believe the effect. Image got an instant “boost of light”, an extra dimension of warm luminescence. It is hard to describe. Perhaps it can be compared a bit with viewing it on a top quality monitor, where light comes from behind – rather than hitting printed image from the front. The brighter the image part is, the more of that reflective luminescence it gets – effectively expanding gamut and dynamics well over typical limits. The image received its own life! If you would have two  Tile Tales prints – one on a lovely Ilford’s Pearl paper, and another on this Metallic – I bet you would pick first the metallic one, even without thinking why you did so. It definitely is a paper which will help your images being noticed. Even in a poor light it still has quite a lot of appeal.

I found it fantastic for images which strongly accent their bright spots, and with bright colours including grey/silver/white.
Therefore I couldn’t resist printing my new image No Nirvana (with Michael Ward – model) on it – and bingo! Again, the image was stunning. Light grey elements of clay look just AMAZING. Unbelievable print! I printed on this paper both with dye and Epson pigment inks – and it looks same spectacular with both.

“Abandoned by God” photo from Montserrat gets a new life on Metallic paper – all bright parts including grey volcanic ash are simply stunning.

Next, I printed Rain Dance (with Daniel Corbett – model) – image with vibrant colours and lots of dark elements. For this one – I picked luxurious, lush mat paper called Vellum Fine Art Paper (again by Breathing Color).
Wow! Rarely I see such elegant and deep palette as this. A beautiful gallery quality print. Thick and heavy, it is really impressive. I quickly varnished it with a matte spray to protect against fingerprints, as this image just asks to be touched.

Rain Dance looks rich and elegant on Vellum paper.

I used the same paper for my black and white image called Always Fresh flowers (with Eden Celeste – model). Again – amazing result: deep blacks look on this paper almost like on an opulent velvet fabric, you almost see a depth to it. A remarkable paper, and instantly on my favourites list.

I also tested a semi-gloss kind of paper, called Vibrance Rag, printing Revisiting Dr. Freud (with Rowen Bellamy – model). At first, I was taken aback by its look. It has a slight texture and a light glaze, which did not look to me very appealing straight from the box. It looked too “artificial”, I thought. But when I printed on it a photo full of colour, textures and contrast – this paper got life on its own. Covered with ink, gone was that “artificial” look, and it looks like a really fine gallery grade print. Thumbs up again!

Vellum Fine Art paper makes “Always Fresh Flowers” look almost three-dimensional. Fantastic art paper indeed.

I still have some other Breathing Color papers and supplies to test – but these first three got my highest approval, and I can say that with their price being significantly lower than other top brands (Epson or Canson for example) – they will be often used for my exhibition quality works. They exceeded my expectation – and those of you who know how picky I am – should realize it is not often happening.

Like with all photo papers, you should consider specific images and select paper which will work well to accentuate your photograph. But you will find that Breathing Color can offer you really fine papers for many situations when you need the best prints. And the great news is – they offer low priced sampler packs! This is what I just used.

Revisiting Dr. Freud on Vibrance Rag looks very classy and rich.

I hope you enjoy this post, and if you do – please SHARE it with friends.
Thank you, until next time – perhaps right after our return from Skye, Scotland, later this month.
Cheers!

All images copyright Derek Galon and Ozone Zone Books. Please respect it.

GLASGOW NECROPOLIS

When I did my latest post yesterday, sharing with you photos from our Scotland trip last May – I left out one particular part of it. I did it for a reason – I thought this specific part of our trip would make a great stand-alone, separate post.

Glasgow Cathedral – Necropolis

We both love Glasgow, it has such fine character. Every time we travel via Glasgow, we try to explore it some more. Glasgow Cathedral is one of my most favourite places. But when we went there last May – the Cathedral was closed, and we decided to go explore the huge old cemetery behind it.
It is beautifully located over a green hill, overlooking large part of the city. Old architecture of it is quite spectacular, and if you like places like that – you can walk there for hours.

It dates back to Victorian times, and it’s design was selected in a way of competition, with the first prize  of… 50 British Pounds. Now, close to the top of the hill you can see tombs of influential people, artists and politicians alike. (Google “Glasgow Necropolis” to find much more info, or check Friends of Glasgow Necropolis web site.)

At the entrance, you are welcomed by large sign “NECROPOLIS”. Darkened by age grave stones give this place unique character, and I could not resist photographing it for  hours…
As the path goes higher and higher, to the most spectacular old tombs at the top, you are dazzled by the sheer size of that land, and rich architecture of old graves and tombs. You feel respect to the place, fascination, also sensing the eery beauty this cemetery possess.
Necropolis’ dark character, quiet majesty, but also a slight creepiness of these dark monuments bring to mind photography noire, perhaps also the goth style. Surely, dense green colour of grass makes it quite vivid all together – but what if photographs are edited as black and white?

 I created series called Necropolis, and edited all of it’s photographs in such way that they are 90% black and white, having only 10% of colour in them. All photos were bracketed and later fusioned for more aggressive textures of all monuments and stones.

At first I was a bit upset at the cathedral keeper, for him closing on that day some half an hour earlier than he should. But after taking all these Necropolis photos and exploring it – I found it actually good luck. With the cathedral open regular hours – I would not wander behind it, and would not discover the Necropolis.

I hope you like these photographs, some of them are available as art prints at the Gallery Vibrante – photo art gallery co-op offering quality art at low prices. Check them out there in larger sizes.
And – as always – if you like this post, SHARE it, and FOLLOW our blog to get all next posts in your email.

Thank you for stopping by! Cheers!

Derek

All photos copyright Derek Galon, Ozone Zone Books. Please respect it.
Assistance – Margaret Gajek (author of Tropical Homes of the Eastern Caribbean and other books.)

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