Personal blog of Derek and Margaret, now living in Dominica, W.I., founders of Ozone Zone – an Independent Canadian book publisher specializing in coffee table books of architectural treasures and lush gardens. We also promote fine artistic photography. This blog contains unofficial reports and comments from our various trips, photo sessions and jobs – an unofficial scrapbook of our travels, explorations and photo-related work. See “about” for more.

Archive for the ‘art exhibition’ Category

Painterly – art photo series by Derek Galon

Recently, we posted photos and notes from various local gardens. To break away from these, here is our 99th post – this time about art photography and old paintings. For those enjoying our travel stories – we are just scheduling our next photo trip, and will be reporting from the Caribbean soon. For the moment, let Margaret – an art historian – tell about my recent art photography series “Painterly” from her professional point of view… Thanks! Derek.


Photography and painting have been linked together and have influenced each other since the invention of photography in 1837. Early pictorial photography tried to emulate painting by emphasizing the “atmospheric” elements: using vague shapes, dimness of outline and subdued tonalities to convey a sense of mystery. Late 20th century paintings by Photorealists were made with technical virtuosity to emulate photographic images that were frozen in time, and these paintingscouldn’t exist without photography. These are perhaps the most different examples of a strong relationship between these two unique media that share many similarities.

Anatomy Lesson.  Image awarded with FIAP Ribbon at Solway Small Print Exhibition 2013, in UK. From top left: Kristin Urbanheart Grant , Tom Gore Gore, From lower left: Aleta Eliasen Dusty, Derek Galon, Jon Hoadley Herman Surkis ,David Goatley. In horizontal position: Michael Ward.  Body paint: Kristin Urbanheart, Makeup: Aleta Eliasen,  Jon: lighting master Derek: additional body fx Dusty: costumes Herman: deliver the liver.

Anatomy Lesson. Image awarded with FIAP Ribbon at Solway Small Print Exhibition 2013, in UK. On display in Black Box Art Gallery in Portland, Oregon, USA.
From top left: Kristin Urbanheart Grant , Tom Gore Gore,
From lower left: Aleta Eliasen Dusty Hughes, Derek Galon, Jon Hoadley Herman Surkis ,David Goatley. In horizontal position: Michael Ward.
Body paint: Kristin Urbanheart, Makeup: Aleta Eliasen,
Jon: lighting master
Derek: additional body fx
Dusty: costumes
Herman: deliver the liver.

Derek Galon’s latest series of “painterly” fine art photographs draw inspiration from the art of painting in a new, creative way. His images are not a nostalgic attempt of getting back to the times when photography imitated painting. These are subjective and original creations drawing inspiration from famous masterpieces of the 18th and 19th centuries. Some refer to specific paintings: Rembrandt’s Anatomy lesson of Dr Tulp or a series of paintings, like bacchanalia by Titian. Derek’s images are a marriage between theatrical qualities of old style masterpieces (with subjects carefully posed and staged), and photography’s ability to seize the moment in time. These dynamic and arresting images portray a compelling narrative, every prominent element in a photograph serves to tell a story, a very different one each time.

When I studied fine arts, I was fascinated by old masters such as Rembrandt, Caravaggio, Titian, Brouwer,” says Derek. “After decades of photographing, working on complicated assignments, experimenting with lighting, and learning advanced computer editing, I decided I am ready to go full circle. I went back to fascinations of my younger years, creating a series of images in a painterly style. These are not copies of old masterpieces, but anhomage to their timeless excellence. My images take the essence of old canvasses – from early paintings of mythological characters, through masters of chiaroscuro, through romantic imagery of Pre-Rapahaelites – up to Surrealism.”

This version of Derek's Anatomy Lesson has an extra surprise in form of an iPad used by one of students (Derek playing the role himself).

This version of Derek’s Anatomy Lesson has an extra surprise in form of an iPad used by one of students (Derek playing the role himself).

Rembrandt’s famous painting Anatomy lesson of Dr Tulp was one of Derek’s early inspirations. Rembrandt’s brilliant group portrait was commissioned by medical doctors. Each of them paid a part of a fee and each expected to be depicted with equal prominence. Instead of featuring passively sitting or standing individuals, Rembrandt broke with tradition, choosing the scene where subjects participate in the action of a moment. Rembrandt’s revolutionary vision has a distinctively photographic quality: a photo-like dynamic scene with action frozen in time. Derek’s Anatomy Lesson relates to these narrative qualities of the masterpiece. Spectators eagerly leaning towards the corpse are in fact Derek’s friends from Victoria’s art scene, who helped him with production of the image. This is their portrait, executed with “Rembrandt style” chiaroscuro and “Rembrandt lighting” commonly utilized in fine portrait photography.

Pan, Bacchus, and Ceres.  Bacchus, Pan, and Ceres - medalist at London International Salon of Photography 2013, in UK, and Gold medal winner at 151st Edinburgh International Exhibition of Pictorial Photography 2013, in UK.With lighting assistance by Jon Hoadley. All models from Victoria, Canada. Top left: Chrisscreama, Standing Center: Walking dreamer, Bottom left: Aleta Eliasen, Daniel Corbett, Michael Ward, Derek Galon (me!), Chrisscreama again (far right), Model in front: Kim Brouseau

Bacchus, Pan, and Ceres – medalist at London International Salon of Photography 2013, in UK, and a Gold Medal winner at 151st Edinburgh International Exhibition of Pictorial Photography 2013, in UK.
With lighting assistance by Jon Hoadley.
All models from Victoria, Canada. Top left: Chrisscreama, Standing Center: Walking dreamer, Bottom left: Aleta Eliasen, Daniel Corbett, Michael Ward, Derek Galon, Chrisscreama again (far right), Model in front: Kim Brouseau

Derek’s Bacchus, Pan and Ceres is another complex image, full of compositional challenges. It is inspired by bacchanalia scenes painted by Titian for the palace of Duke Alfonso d’Este. Titian referred to these paintings as “poesie”, a visual equivalent of poetry. The scene on Derek’s photo shows a hedonistic, merry company of the wine god Bacchus, Ceres – goddess of fertility and agriculture, with Pan – the huffed god of wild nature and their friends. This mythological scene with strong erotic elements is also humorous and witty, it has a fun-filled touch to it, and a sensitively chosen colour palette.
Creating and photographing these group scenes has lots of challenges”, comments Derek. “Painters often interpret perspective or lighting rather loosely. They can bend reality to create most dynamic and impressive scenes. In a photo studio with a group of models, problems are many: unwanted shadows often cover people closely standing together, or sometimes the perspective of the background does not go together with dynamics of the front composition which may require a slightly different focal length. It takes forever to set the right lighting using many strobes, and trying to make it look very simple and natural.”

A.Brouwer Paints His Tavern Scenes. From left: Herman Surkis, Tom Gore, Dasty Hughes, Derek Galon, Jon Hoadley, Carl Constantine, Mike Hebdon, Aleta Eilasen, (+ Sally The Dog). Makeup aleta, props - Derek, Costumes - Dusty + Disguise The Limit, lighting consultation - Jon Hoadley.

A.Brouwer Paints His Tavern Scenes.
From left: Herman Surkis, Tom Gore, Dasty Hughes, Derek Galon, Jon Hoadley, Carl Constantine, Mike Hebdon, Aleta Eilasen, (+ Sally The Dog). Makeup – Aleta, props – Derek, Costumes – Dusty + Disguise The Limit, lighting consultation – Jon Hoadley.

One of the most challenging images to make was the Tavern based on genre paintings depicting scenes of everyday life, especially art of Adriaen Brouwer, Flemish artist of the 17th century. Brouwer himself felt very comfortable in taverns and often painted the peasant and “low life scenes” he witnessed. Like Brouwer’s work, Derek’s Tavern is full of movement and action. Portrait-like characters are engaged in complex interaction. Their faces are expressive, even slightly grotesque. Derek cannot resist in joining the merry company and playing a fiddle. His image is full of good-natured humour, and created with visible care for detail. The colour palette made of warm translucent browns and greys is well blended into the atmosphere of the whole. As Brouwer sometimes used his friends – painters, to model for him, Derek once again invited his friends from Victoria’s art photography scene to model for this image. One of the models actually depicts Brouwer himself, painting the vivid scene before him and clearly enjoying it.

The Knight Of Might with the fine Michael Ward from Victoria - model.

The Knight Of Might with the fine Michael Ward from Victoria – model.

While Derek’s Tavern makes you reach for a glass of beer, his Knight of Might stirs very different emotions. We see a gnarled man whose face is weathered, the skin of his face rough. Although his armoured body looks powerful and mighty, he looks exhausted, sensitive and vulnerable. He’s holding a lady’s handkerchief – is this the reason he looks so pensive? For how long he’s been separated from his loved ones, how much pain did he endure during his voyage? We’ll never know. Dark reflections of moonlight correspond with his brooding, inner landscape of the soul. This image was inspired by romantic paintings by John William Waterhouse. To successfully create specific mood and atmosphere of the image, Derek relays on models’ ability to deliver the best acting performance. Their creative output is vital to the success of the image. Here, Derek was aided by his longtime friend and a professional art model Michael Ward.

The Passing - Pieta. With Michael Ward and Stephanie Kingston.

The Passing – Pieta.
With Michael Ward and Stephanie Kingston.

Michael is also involved in another atmospheric image called The Passing – Pieta inspired by paintings of similar subjects by Michelangelo and Titian. Young woman mourning over the body of a dead man; his pale glowing flesh accentuates the feeling of sorrow and loss. The background of a derelict church reflects the feeling and mood of the piece.

Further exploration of darker themes brings Derek’s fascination with one of the most timeless and haunting Nightmare paintings by Henry Fuseli. Although having a different concept, also very Gothic and Freudian, Derek’s Monstrous Deception

Monstrous Deception - tribute to Nightmares by Henry Fuseli. WithBrandy Sapala, Derek as the monster, and Callum Shandley as the mirror reflection.

Monstrous Deception – tribute to Nightmares by Henry Fuseli. With Brandy Sapala, Derek as the monster, and Callum Shandley as the mirror reflection.

is equally scary. Like in Fuseli’s painting, the scene is made of gradual realizations; we need time to fully understand the horror. The young man kissing the girl is only a pretender. In fact, he is this shady monster-like creature who stares at us from darkness. His facial expression implies his annoyance with viewers for discovering his deception, while the lady on front of him seems to be unaware of it, falling into his trap. The scene is dramatically timed, slowly unfolding to show us additional, perhaps intentionally hidden details. Only 27 years after Fuseli painted his last version of the story, Mary Shelley wrote the famous piece of Gothic literature – Frankenstein.

Creating interaction and a narrative story in a similar way to paintings is yet another challenge. Old canvasses often have symbolic details and secondary interactions or meanings, which can be discovered as you take time to study a painting. Such multi-level dynamics require not only a fine planning and preparation, but also good acting skills of all the models, great concentration during the shoot and lots of patience. Many of my ready images are actually combined from best parts of several shots, like a jigsaw puzzle assembled of the most attractive elements picked from the whole session. Finely painted flying cherubs, angels, or special effects dazzling us on old masterpieces, require much planning and meticulous photo editing and I wish I could just paint them on my photos instead.”

Brown Over Green - Still Life. A tribute to paintings by Chardin.

Brown Over Green – Still Life. A tribute to paintings by Chardin.

Derek’s still life image Green Over Brown brings a different mood. Without the drama of other photographs in this series, it depicts a simple world of austerity and calm. You almost need to slow yourself down to appreciate it. Inspired by masters of still life, especially Chardin and Spanish “bodegon” painters, it shows the beauty of everyday objects that surround us. The items portrayed were selected not for their allegorical vanitas meaning but for their shapes, textures and colors. The objects are gradually emerging from the subtly toned background.

Pygmalion - a tribute to Jean Gerome, one of Derek's favourite old masters. Xevv McModel and Brandon L. - models, makeup/body paint by Aleta Eliasen, light consultant - Jon Hoadley.

Pygmalion – a tribute to Jean Gerome, one of Derek’s favourite old masters.
Xevv McModel and Brandon L. – models, makeup/body paint by Aleta Eliasen, light consultant – Jon Hoadley.

Jean-Leon Gerome, the prominent artist of Orientalism movement, was a keen follower of photography and adopted this new media for his work. He was an indefatigable traveller to the Middle East, frequently accompanied by a photographer. Gerome’s technique was of impeccable precision, and some of his paintings have almost visual reality and crispness of Photorealism. Derek’s Pygmalion drew inspiration from Gerome’s versions of the mythological story of Pygmalion, an artist who fell in love with the sculpture he created. The image depicts the moment when the sculpture of Galatea is brought to life by Pygmalion’s kiss.

For me, masterpiece paintings are the source of limitless inspiration. No matter how fancy our digital imaging will get, old canvasses will never stop thrilling us” – says Derek. Photographing architecture and landscape foran everyday living, I return to my world of art images like to my sanctuary, and I treasure every moment of this work. Now, with my art winning medals, getting internationally exhibited and sold, it gives me even more motivation than ever to continue.”

by Margaret Gajek, MA, writer, researcher, art historian, co-founder of Ozone Zone Books

All images copyright Derek Galon. Please respect our copyright. Thank you.

Derek’s art prints (limited editions and open editions) are available directly by contacting him at:
derek (at)  or from the Gallery Vibrante.Thank you, until next time – we hope you enjoyed this post! If you did, please FOLLOW us, click SHARE and show it to your friends.

Taken By Angels - Derek Galon's more contemporary, light-hearted and humourous image taking from old canvas masters.  With Michael Ward, Sharon Ace, Aleta Eliasen, Karissa T. and Jen Wright - models. Makeup - Aleta Eliasen.

Taken By Angels – Derek Galon’s more contemporary, light-hearted and humourous image taking from old canvas masters. With Michael Ward, Sharon Ace, Aleta Eliasen, Karissa T. and Jen Wright – models. Makeup – Aleta Eliasen.

Last Few Weeks

hatley1bNot much happened with our travel plans since my last post. There are some technical issues delaying our next trip to Montserrat. Therefore we spent last few weeks visiting and photographing our favourite local gardens. Some of them we already presented on this blog – but at a different time of the year. Now, with wisterias and rhododendrons in full bloom, these gardens look just spectacular!

hatley-bridgeOne of our favourite gardens is the Hatley Park, a large chunk of land on grounds of Royal Roads university in Victoria. It is divided to several sections, such as Italian garden (with fine wisterias), Rose garden – which is just starting to bloom, and the oldest Japanese garden in the whole BC.

I hope these few photos from there are to your liking.


Another garden we visited was the Finnerty Garden belonging to the UVIC. Well kept, with a massive number of rhododendrons, it is another place to enjoy in Victoria – and there is no fee for your visit.


Smaller, but very well established Playfair park, has very large, matured rhododendrons. They are so huge that you can walk under them, and enjoy the colourful carpet of fallen flowers.


It is remarkable how different in feel these places are. All of them have lots of rhodos, but each garden lives its own, unique life, offering a totally different experience.


The unusual rainy weather we are having made all colours juicier, more dense, and all these places are lush and full of life. It is great to travel, but we should never forget to enjoy what we have at our door step.

To fill you with other things – last time, I reported about a second place at IGPOTY (UK) and the Gold Medal in Austria. Well, just after that I received another exciting news – London Salon of Photography – one of the most progressive international competitions/exhibitions awarded my Bacchus, Pan and Ceres with another Medal._DAG5206_7

I also had couple of studio art sessions and I am now editing my newest works. Ah, one of my newest is already done – with great help and assistance from Margaret – my newest auto-portrait! I hope you enjoy!

Bacchus, Pan, and Ceres - awarded in London.

Bacchus, Pan, and Ceres – awarded in London.

Thank you, I hope to see you soon, when I place our next post. Bye for now, and SHARE if you like these images.

My auto-portrait.

My auto-portrait.



All photos copyright Derek Galon, Ozone zone Books, please respect our copyright. Thank you!

Amazing Surprise – Gold Medal in Austria!

My previous post sounded a sad note, a story in memory of my mother – also our Ozone Zone editor.
Today’s story is quite different and exciting.

My hummingbird got 2nd place at IGPOTY 2013 (Wildlife category)

My hummingbird gets 2nd place at IGPOTY 2013 (Wildlife category)

Only a week after receiving news about getting a 2nd place at the International Garden Photography of the Year 2013 organized in UK at the famous KEW Gardens, I received a message from Austria: Gold Medal at the huge, internationally important Austrian TRIERENBERG SUPER CIRCUIT 2013.

TRIERENBERG SUPER CIRCUIT is by far the largest salon of photography in the world. It is based in Linz, Austria, and in recent years it has attracted hundreds of thousands of picture entries – from almost every country. It is the aim of the competition run annually by the salon to exhibit the finest work in different styles, techniques and genres.

Dilemma - with Michael ward and Lady Kimberly rose (and Skye landscape). Gold Medal in Nude category.

Dilemma – with Michael Ward and Lady Kimberly Rose (and Skye landscape). Gold Medal in nude category.

The Super Circuit attracts photographers of almost every background, both amateur and professional. It has established a reputation for very high standards and is therefore highly respected around the world. The honour of winning is even bigger, knowing that this year they received staggering twenty-something thousand entries!

My winning image, called Dilemma, results from a long collaboration with a brilliant, experienced arts model, Michael Ward from Victoria. Do you remember that bluish photo of The Mighty Knight? Yes, that was another image we did with Michael…

Dilemma was created in several stages. Firstly, I photographed Michael in a sitting, meditative pose. Next, I photographed a closeup of a body, to create a body-scape. It had to be shot from exactly the same angle, with the same lighting, to look real after matching both elements.  For that close-up we invited another fine model, Lady Kimberly Rose. The rest happened on Photoshop. Michael placed on Kimberly’s body-scape looked good. I added shadows andsome small indents where Michael was sitting to make it more realistic,  but it lacked the oomph with studio background. Luckily I remembered about dramatic landscape of the Skye, Scotland, and pulled one of my photos of a light house from there. Yes, it instantly added character. Turning it to near black-and-white with some added roughness of texture worked for me, and the image was done.

While I feel that my work with Michael is among my best, little did I know it will win Gold!

Anatomy Lesson.  From top left: Kristin Urbanheart Grant , Tom Gore Gore, From lower left: Aleta Eliasen Dusty, Derek Galon, Jon Hoadley Herman Surkis ,David Goatley. In horizontal position: Michael Ward.  Body paint: Kristin Urbanheart, Makeup: Aleta Eliasen,  Jon: lighting master Derek: additional body fx  Herman: deliver the liver.

Anatomy Lesson.
From top left: Kristin Urbanheart Grant, Tom Gore,
From lower left: Aleta Eliasen, Dusty, Derek Galon, Jon Hoadley, Herman Surkis, David Goatley. In horizontal position: Michael Ward.
Body paint: Kristin Urbanheart, Makeup: Aleta Eliasen,
Jon: lighting master, Dusty: costumes,
Derek: additional body fx
Herman: deliver the liver.

To end this happy news, I would like to share with you yet another photo created with Michael. This time we invited fellow photographers and artists as models. As you perhaps notice, this image was inspired by Rembrandt, and it was sheer fun to recreate Rembrandt-style lighting (with great help of a fine photographer Jon Hoadley, real master of lighting), bringing up painterly textures of faces and fabrics. Michael did get body-painted, I added some touches to his look later on my computer – and hey, we all are quite happy with the result.

I hope you like it too…  until next time,

After work - time for fun and  a "family photo". Michael's awakening - Doctor tells him his liver is wasted and demonstrates it to us all...

After work – time for fun and a “family photo”. Michael’s awakening – Doctor tells him his liver is wasted and demonstrates it to us all…

Thanks for your visit. If you like, please SHARE with friends, and FOLLOW us for more.
Photographs copyright of Derek Galon, please respect the copyright.

The Gold-winning image is available at Photo Art Gallery Vibrante

The Knight Of Might – His Longest Night

Trying to have a break from Caribbean and architecture photography every now and then, I enjoy working with models from Victoria.
Continuing with series of portraits and studio works, I just had the privilege of working with a seasoned artists’ model, Michael Ward. He models professionally for some 30 years, and over this period of time worked with countless fine artists – photographers, sculptors and painters alike. Shooting with him was a real treat, and I was excited that he agreed to model for me in his fine armour from Britain – one of his 250 outfits, as I learned. We also selected one of his swords – a fine authentic Claymore blade.
I spent a bit of time thinking ahead about the concept for the shoot. Surely, photographing a knight in armour asks for some mystical ambiance, a fairy tale like scenery, and for atmosphere like from famous William Waterhouse paintings. But if I would go too much this direction -and only this direction-  it could be risky, touching of a cheap and pretentious style. So, I decided to combine the mystical feel of this shoot with real feelings and expressions – a deeper human drama.

How was it to be a warrior on his long battle path centuries ago? How many horrors hardened his soul, how many tragedies and lost comrades made him weep when nobody was watching? Were there enough of happier moments helping soothe his way through pain in the name of glory, God, and loyalty?
How about physical pain? The 40 kilograms of armour made him really heavy, struggling with every step and move. Wearing it in hot sun would add to this misery. Just helping Michael to dress for our shoot was an eye-opener for me. This gear is amazingly heavy and uncomfortable.

What about such knight’s personal matters? If he was lucky, his beloved woman would wait patiently for his return home. But without any means of regular communication he would only keep his faith and remember her by embracing a little treasure she gave him as farewell gift – perhaps a handkerchief, a locket?
I decided that my Knight has to be a tragic person, longing, almost broken by too many unknown factors and hardships – but still believing in his return home and victory.

We discussed details with Michael prior to our session, and when he started to act – it was pure perfection. He gave me all I wanted – and more.
Rough and rocky ocean location near Taylor Road in Metchosin near Victoria, added to the feel of our setting.
For most shots I used a  white balance shifted to tungsten light, and flashes with yellow gels, creating a late evening and bonfire mood.
The whole series has about a dozen of very different images. Some of them are saturated with vibrant colours, some are more documentary in character black and whites. I will remember working with Michael on this shoot for long time, and I hope you find these images interesting.
Live long, my knight. Let your path be filled with victories, so you can return to your castle with pride.

If you like it, please click SHARE on right top side of this post.
More photos from this series on my Model Mayhem page.

All photos copyright Derek Galon, please respect it.
Some of these images are available for purchase at Art Gallery Vibrante
This is a re-post from my older blog which had very limited number of visiors, before I switched to WordPress.

Among the Ancient Gods (an art photo shoot)

Post contains some fine art nudity [partial nudity]. Be warned. 18+ only).
After all the editing work on the book “Bequia – the Feast of Colours”, I needed to unwind. The book went off to our printers, and me – as I often do in such moments – I decided for an art shoot. Such shoots where I can let my fantasy loose, help me bring back my balance and recover energy. As it happened, my friend and fantastic artists’ model, Michael Ward, had just recently suggested to shoot an image based on Greek and Roman mythology.

He had a concept for a large, festive scene, and I myself had already been thinking for a while of shooting a large group of art models. Such a shoot would bring new challenges and experience, it would expand my skills.

Pan and Psyche

Pan and Psyche

I listened to Michael’s story; a feast of Bacchus and his companions – some familiar antique gods and goddesses, perhaps Pan with his half-man, half-goat, panting presence… And definitely with Ceres – the Rubensesque, full-bodied goddess of fertility. These ideas began to roll in my head, and gradually I visualized the whole scene. Yes, it would be a festive group drinking wine, flirting and having fun (with Pan’s presence insinuating a note of erotic energy on the set). I decided to keep it in the style of old paintings such as canvases by Titian or Caravaggio, and so a Cupid seemed a nice extra touch. Light would be used scarcely, highlighting the most important parts of the composition, but letting the less important elements drown in darkness.

Margaret, being an art historian, quickly suggested some fine details for the image. Oranges and grapes, some primitive musical instruments, flowery wreaths. Now the image was fully developed in my head.

photographing Cupid

photographing Cupid

The whole shoot preparation unfolded under a lucky star – fantastic art photographer Jon Hoadley, a real master of studio light, offered his assistance, and Michael was able to get another professional arts model – Kim Brouseau, to impersonate Ceres. After booking all the other models, we went with Michael to Disguise The Limit costume rentals to find some props. Some models also helped with props – it was truly a nice team work.

Jon Hoadley contemplates Zen of Perfect Lighting

Jon Hoadley contemplates Zen of Perfect Lighting

When the day came – after setting the studio stage – we were ready to shoot.While Aleta Eliasen, my friend and fine makeup artist, prepared models, Jon presented me with his idea of lighting. It was perfect, and after some small tweaks and test shots, I was totally happy with it. The light seemed natural, toned in one part with warmth of a remote bonfire. While most important part of composition was lit rather brightly, the light softly blended down, to fade into almost complete darkness of the background.

We did some solo, duo, and trio test shots – which were so nice that I kept them as separate images for this series. Next, we had to shoot the Cupid. It was fun – if not really for the model – at least for those watching. Shooting Cupid separately from the rest of the group allowed me to freely put it in the best spot later, using Photoshop.

One of test shots...

One of test shots…

We were ready for the main scene, and it was sheer fun! The idea suggested by Margaret, to have cross-linked interaction between various persons, connecting the front group with the back, worked really well. Everyone got their particular tasks, and we went ahead photographing.

I used my Nikon D800 on a tripod, to keep the same selected crop, when capturing various poses and models’ expressions. Tethering it all using fantastic software ControlMyNikon proved to be of real advantage. Every smallest detail was controllable, the models had a way of seeing themselves perform, and I could quickly review all the shoots.

The scene we created needed two extra persons – a woman and a man. Aleta, our makeup artist, graciously decided to help, and turned herself into an attractive partner of Pan. I quickly decided to help too, and transferred myself into some drunk, rough character in the background. I bet all the models had fun seeing me running around half-naked, in a turban, back and forth between back of the scene and the camera set in front!

All in all – it was a very demanding project and a real challenge on many levels. Photoshopping it in the style of traditional paintings was another part of this fun, and I enjoyed every minute of it. And here it is – the final image “Pan, Bacchus and Ceres” having a good time with their guests. While trying to keep it in line with the old paintings, we loosened it up here and there with subtle additions of drinking glass goblets and an impressive glass bottle.

Pan, Bacchus, and Ceres.All models from Victoria, Canada. Top left: Chrisscreama, Standing Center: Walking dreamer, Bottom left: Aleta Eliasen, Daniel Corbett, Michael Ward, Derek Galon (me!), Chrisscreama again (far right), Model in front: Kim Brouseau

Pan, Bacchus, and Ceres.
All models from Victoria, Canada. Top left: Chrisscreama, Standing Center: Walking Dreamer, Bottom left: Aleta Eliasen, Daniel Corbett, Michael Ward, Derek Galon (me!), Chrisscreama again (far right), Model in front: Kim Brouseau

I hope you enjoy this image. If you do – the purpose of it all has been served!


If you enjoy this story, please SHARE it with friends, and FOLLOW this blog to get notifications on further posts.

All photographs copyright Derek Galon, please respect the copyright.
This image “Pan, Bacchus and Ceres” can be ordered as a limited edition signed print from Photo Art Gallery Vibrante, or as a smaller, open edition print from

You can also see it in bigger size on 1X.
A separate story on art of Jon Hoadley was posted here.
An earlier story on working with Michael Ward (Knight of Might) was posted here.
My review of ControlMyNikon is here.

Jon Hoadley – Between Light And Shadow

4e94e2c7ae9d1In our previous post we profiled Julie Lea – a fine painter from far-away Bequia. Today, we will bring you closer to our roots – photography. We also return closer to our home – Victoria, BC, Canada. Right here, at our doorstep in Victoria, you can meet one of the finest, most outstanding photographers we know. It’s Jon Hoadley – a real master of studio art photography. Working in the same studio space since 1984, he can be compared to the great Dutch or Italian painters of the past centuries.

_MIK2361Perhaps the most visually arresting aspect of Jon’s work is his masterful use of light and shade. He is a virtuoso of chiaroscuro and “shading” – creating depth by using light effects. Shadow and light are powerfully contrasted and used in different degrees, subtle or strong. They are deliberately interwoven to give the work spatial and psychological depth and to create an atmospheric mood. On the human body, chiaroscuro makes a very powerful effect.4aa10d3bd7e9a

Had Jon been born a painter in Italy in the early 17th century, he would easily be one of the followers of Caravaggio, a master of powerful chiaroscuro, whose use of light to create dramatic intensity inspired generations of artists often called “Tenebrists” or “Tenebrosi” (“Shadowists”). 50c15dc87a679Jon’s work often reminds me of other paintings by famous masters of light, like the 17th century Spanish painters, with Jose de Ribera among them. Perhaps Jon doesn’t always seek such strong dramatic effects. The light in his art portraits is often used to create a broader and more intimate union between figure and space.

493f0ba58c704Similar in feel to fine paintings, Jon’s portraits are carefully composed and stylized. Only the photographers themselves and models (sometimes exhausted after the process) know how much time and energy consuming such shoots are; how much care, and – clearly, love – goes into their preparation and each actual photo session. Not to mention hours of digital work afterwards “to get the image right.” And yet, Jon’s photographs don’t appear to be that heavily staged and controlled. Models are given freedom of expression within the boundaries of the image. That gives us, the viewers, a glimpse into their true personalities, each different and unique. It also creates a psychological bond, touching directly the viewer’s soul, a rare feature in art of portraiture today.

49c1b3a6907a5Obsessed with fine nuances of light and forms of the human body (be it in portraits, art nudes, or other styles), Jon Hoadley works tirelessly expanding his huge collection of masterpieces. Digital photography gave him much needed expansion of editing tools.

Earlier back, he worked very successfully on the international commercial scene, photographing for renowned brands; but although his photographs were winning awards, he was never really interested in that or in any competitions.

Same with his self-promotion – rather than making efforts to promote and market himself, he uses all his energy and time to create ever new images. For those reasons, Hoadley’s works are relatively little known – but they stand really strong among the best of art portraits on the international scene – real masterpieces, fit for the finest collections. His best, heart-and-mind-touching art, selected for limited editions, can be displayed proudly by the most discerning connoisseurs.4f30b73de8b56

4974036fe8134See more works by Jon at
Browse and order his art prints at Photo Gallery Vibrante

We hope you enjoyed this post. If so – please SHARE with friends.

Until next time!

Text by Margaret Gajek, art historian, researcher, writer
and by Derek Galon, photographer


Images – copyright Jon Hoadley – please respect his copyright.

Jon Hoadley contemplating Zen of Perfect Lighting

Jon Hoadley contemplating Zen of Perfect Lighting

Julie Savage Lea, artist – painter from Bequia

Arriving in Bequia

Arriving in Bequia

As mentioned in our previous post, today we are posting a profile of a fine artist from Bequia, Julie Lea. She just finished work on a new book we are about to publish. Please, meet Julie:

_DSC9956Julie Savage Lea was fascinated and smitten with the island of Bequia from the first moment she saw it. She describes this experience in her book, called “”Bequia reflections”: “I first saw Bequia in 1978, from the deck of a steel-hulled, 48-foot ketch. My husband and I and our two small sons were guests of young friends, part of the self-styled “boat vagabonds”, who, in those days, plied the waters of St Vincent and the Grenadines. We arrived after a rolling, fitful, all-night sail from St Lucia. In the predawn light we anchored in the sheltering calm of Admiralty Bay, just off Port Elizabeth. As the others sputtered ashore (…), I stayed on deck, exhausted yet dazzled by the visual feast before me. My first response to Bequia was to pull out my watercolours and record the soft explosion of clouds and colour in the sky as a golden dawn erupted over green volcanic hills and poured into the awakening turquoise harbour.”

Inside Mango Cottage

Inside Mango Cottage

“I wanted to capture the charm of what I saw that first morning- the languid parade of human and animal activity along the main street, the exotic trees and flowers, the diminutive shops and cottages, as gaily painted as the small fishing boats lining the beach.”

_DSC9903Julie frequently returned to the island to paint, and finally, in 2005, decided to make Bequia her home. She found the perfect place for her studio – Mango Tree Cottage, a quaint little house that she rents from her long-term friend and also a great painter, Vivian Usborne Child.

_DSC9691Most of the year 2012 she has been working on a book about her friend Peter Carr – another Bequia-fascinated painter. The book, titled “Bequia – the Feast of Colors”, will be published by our company Ozone Zone Books in early 2013.


Julie talks about her paintings

We met Julie in her studio full of colourful and vibrant paintings, various objets d’art, and everyday things chosen for their strong primary colours. She spoke enthusiastically about the painting she had just finished for the Gingerbread Restaurant in Bequia, called “Tropical Eden.” The lush exuberance of the vegetation she captured there reminds me of the famous jungle paintings by Henri Rousseau.

_DSC9724We wrote about the Mango Tree Cottage in our book Tropical Homes of the Eastern Caribbean: “This humble, small place has transformed itself completely under Julie’s influence, reflecting her own happy, artistic personality. With the presence of her paintings, it has become a vibrant colourful place and a joyful continuation of the tropical landscape that surrounds it.”

_DSC9706While visiting Bequia, you may see Julie walking alone, scouting for subjects to paint, or sketching hurriedly some life scenes passing by. She writes: “Under a brilliant sky filled with colour and movement, the glittering sea and an exotic parade of people, events and contexts leaps at me.”

_DSC9719We hope you enjoy this story. More soon, happy New Year!

by Margaret Gajek, Photos by Derek Galon
Please respect our copyright.

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Breathing Color – Amazing Photo Papers

Tile Tales looks spectacular on Metallic paper. All bright parts are almost glowing.

I recently prepared several prints for a Photo Salon in Japan, and used this opportunity to work on newly purchased selection of papers from a young, dynamic company Breathing Color. Results of that work are so pleasing that I decided to share them with you ASAP.

Normally I would use this kind of post  in my other, more technical blog (and maybe I will repost it there too). But this story is bordering between technical, and a simple sharing of a great photo experience. It also shows several photographs from my portfolio – therefore I decided to post it here.

Preparing for THE 73rd INTERNATIONAL PHOTOGRAPHIC SALON OF JAPAN, I selected images of different styles, subjects and techniques. Among them, my favourite image with model Koko, called Tile Tales (which -by the way- have been just published in a limited edition book showing select fine art photography from around the world, and titled No Words, by the prestigious Scandinavian gallery 1X.).

This image looks almost black and white, it is full of luminescence and contrasts. Along with Tile Tales I selected some densely colorful images, as well as couple of real black and whites. That choice made for a perfect testing ground for my newly purchased Breathing Color papers.

Silvery-grey clay on No Nirvana image simply shines when printed on Metallic paper.

Knowing well how the “Tile Tales” looks on traditional glossy and pearl Ilford papers, I was curious how it will look on Breathing Color’s Vibrance Metallic. This paper intrigued me instantly. It has a high gloss finish, and its surface looks a bit like mother of pearl, reflecting light in a very interesting way.
So, I printed Tile Tiles – and could not believe the effect. Image got an instant “boost of light”, an extra dimension of warm luminescence. It is hard to describe. Perhaps it can be compared a bit with viewing it on a top quality monitor, where light comes from behind – rather than hitting printed image from the front. The brighter the image part is, the more of that reflective luminescence it gets – effectively expanding gamut and dynamics well over typical limits. The image received its own life! If you would have two  Tile Tales prints – one on a lovely Ilford’s Pearl paper, and another on this Metallic – I bet you would pick first the metallic one, even without thinking why you did so. It definitely is a paper which will help your images being noticed. Even in a poor light it still has quite a lot of appeal.

I found it fantastic for images which strongly accent their bright spots, and with bright colours including grey/silver/white.
Therefore I couldn’t resist printing my new image No Nirvana (with Michael Ward – model) on it – and bingo! Again, the image was stunning. Light grey elements of clay look just AMAZING. Unbelievable print! I printed on this paper both with dye and Epson pigment inks – and it looks same spectacular with both.

“Abandoned by God” photo from Montserrat gets a new life on Metallic paper – all bright parts including grey volcanic ash are simply stunning.

Next, I printed Rain Dance (with Daniel Corbett – model) – image with vibrant colours and lots of dark elements. For this one – I picked luxurious, lush mat paper called Vellum Fine Art Paper (again by Breathing Color).
Wow! Rarely I see such elegant and deep palette as this. A beautiful gallery quality print. Thick and heavy, it is really impressive. I quickly varnished it with a matte spray to protect against fingerprints, as this image just asks to be touched.

Rain Dance looks rich and elegant on Vellum paper.

I used the same paper for my black and white image called Always Fresh flowers (with Eden Celeste – model). Again – amazing result: deep blacks look on this paper almost like on an opulent velvet fabric, you almost see a depth to it. A remarkable paper, and instantly on my favourites list.

I also tested a semi-gloss kind of paper, called Vibrance Rag, printing Revisiting Dr. Freud (with Rowen Bellamy – model). At first, I was taken aback by its look. It has a slight texture and a light glaze, which did not look to me very appealing straight from the box. It looked too “artificial”, I thought. But when I printed on it a photo full of colour, textures and contrast – this paper got life on its own. Covered with ink, gone was that “artificial” look, and it looks like a really fine gallery grade print. Thumbs up again!

Vellum Fine Art paper makes “Always Fresh Flowers” look almost three-dimensional. Fantastic art paper indeed.

I still have some other Breathing Color papers and supplies to test – but these first three got my highest approval, and I can say that with their price being significantly lower than other top brands (Epson or Canson for example) – they will be often used for my exhibition quality works. They exceeded my expectation – and those of you who know how picky I am – should realize it is not often happening.

Like with all photo papers, you should consider specific images and select paper which will work well to accentuate your photograph. But you will find that Breathing Color can offer you really fine papers for many situations when you need the best prints. And the great news is – they offer low priced sampler packs! This is what I just used.

Revisiting Dr. Freud on Vibrance Rag looks very classy and rich.

I hope you enjoy this post, and if you do – please SHARE it with friends.
Thank you, until next time – perhaps right after our return from Skye, Scotland, later this month.

All images copyright Derek Galon and Ozone Zone Books. Please respect it.

New Photo Art Series with Michael Ward…

No Nirvana

Only a quick post today, to share with you some of my newest images.
I delivered to our customer  all images from our latest Caribbean location work, and just had a moment to think about my own portfolio.

While preparing print selection for an art photography exhibition due later this year, I was approached by Michael Ward – a seasoned, professional model – one of the most acclaimed artists’ models around. (Some of you may remember my Knight of Might photos, with Michael in full body armour).
He suggested to create a new series of images as a duo with a young, talented model Daniel Corbett from Victoria. The concept was to use some body painting to create  strong mood and visual impact for this series.

Cracking Memories

It is always a pleasure to work with Michael, and such series could add some interesting art-oriented material for this upcoming exhibition. Without much wait we decided on details of the shoot, and just did it a few days ago. Body painting was commissioned to Alecia Repp from Vancouver, Michael brought to the shoot his dedicated assistant (also photographer and model) – Tegan Bown, and we started our work (which actually was quite fun too).

Split Fears

I wanted to create two opposite characters for this series, two totally clashing personalities. Therefore Michael was covered with grey clay, while Daniel’s look was sparkly and vibrant.

Duality of Mind

Both creations were so impressive that besides of photographing them as a duo, I also did solo shots for both of them. I love these solo shots, and I am not sure if I like more the duo, or not.

Apollo in Me

I will pick some of these new images for that mentioned photo exhibition, and will also add them to my selection of art works for sale at the Gallery Vibrante.

What do YOU think? Do you prefer solo, or duo images?
Feel free to leave a comment, and if you like these images, click SHARE, and subscribe to FOLLOW our blog.

Thanks for stoppling by, cheers!

Rain Dance

All photographs copyright Derek Galon and Ozone Zone – please respect it.

New Pompeii (Montserrat’s Old Capital Destroyed by Volcano)

If you didn’t read my previous post, you may want to check it out. This post is very short, I am simply sharing with you my favourite photographs from Plymouth – the Montserrat’s old capital,  town destroyed by volcano some 15 years ago.
I wrote in my previous post: “We did some documentary photographs from the destruction zone, and we experienced the eerie feel that stays with this “New Pompeii” right up to the present day.  As you place your first step on the ground covered deep with volcanic ash – you turn silent…just trying to comprehend what really happened there those 15 years ago…

Plymouth is covered with ash, mud and huge lava rocks, up to the second floor level. You can see volcano still fuming with sulfur-smelling gas…  The moment of destruction is registered at every step, like frozen in time. Personal belongings scattered  in panic and visible through broken windows of houses half-buried in lava, mud and ash… offices hurriedly left in the middle of work…  pages of musical scores dropped on the floor of a shattered church – perhaps left behind by members of an evacuated choir… – All these things tell a gloomy, painful story not to be forgotten in Montserrat. Thankfully, now the volcano is under strict observation by the world’s best scientists, and danger zones are clearly drawn – in case of the volcano’s repeat activity.”

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Well, photographs here are edited to accentuate the eery feel. It is more my vision of this place than a strict documentary. I hope you find this interesting. I like some of them. In fact – I will add a few of them to my art works for sale on Photo Gallery Vibrante site.
These are rare photographs, we had to get a special permission and a guide from Volcano Observatory to get there. If you like this post – please click SHARE, let your friends see it. and surely – please also FOLLOW us for more photography posts. and, feel free to comment!

Until next time,  cheers!

Please remember – all photos copyright Derek Galon and Ozone Zone Books. Thank you.

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