Independent Canadian book publisher with office in Dominica, W.I. specializing in photo books of architectural treasures and lush gardens. We also promote fine artistic photography. This blog contains unofficial reports and comments from our various trips, photo sessions, and jobs – an unofficial scrapbook of our travels, explorations and photo-related work. See “about” for more.



Trying to have a break from Caribbean and architecture photography every now and then, I enjoy working with models from Victoria.
Continuing with series of portraits and studio works, I just had the privilege of working with a seasoned artists’ model, Michael Ward. He models professionally for some 30 years, and over this period of time worked with countless fine artists – photographers, sculptors and painters alike. Shooting with him was a real treat, and I was excited that he agreed to model for me in his fine armour from Britain – one of his 250 outfits, as I learned. We also selected one of his swords – a fine authentic Claymore blade.
I spent a bit of time thinking ahead about the concept for the shoot. Surely, photographing a knight in armour asks for some mystical ambiance, a fairy tale like scenery, and for atmosphere like from famous William Waterhouse paintings. But if I would go too much this direction -and only this direction-  it could be risky, touching of a cheap and pretentious style. So, I decided to combine the mystical feel of this shoot with real feelings and expressions – a deeper human drama.

How was it to be a warrior on his long battle path centuries ago? How many horrors hardened his soul, how many tragedies and lost comrades made him weep when nobody was watching? Were there enough of happier moments helping soothe his way through pain in the name of glory, God, and loyalty?
How about physical pain? The 40 kilograms of armour made him really heavy, struggling with every step and move. Wearing it in hot sun would add to this misery. Just helping Michael to dress for our shoot was an eye-opener for me. This gear is amazingly heavy and uncomfortable.

What about such knight’s personal matters? If he was lucky, his beloved woman would wait patiently for his return home. But without any means of regular communication he would only keep his faith and remember her by embracing a little treasure she gave him as farewell gift – perhaps a handkerchief, a locket?
I decided that my Knight has to be a tragic person, longing, almost broken by too many unknown factors and hardships – but still believing in his return home and victory.

We discussed details with Michael prior to our session, and when he started to act – it was pure perfection. He gave me all I wanted – and more.
Rough and rocky ocean location near Taylor Road in Metchosin near Victoria, added to the feel of our setting.
For most shots I used a  white balance shifted to tungsten light, and flashes with yellow gels, creating a late evening and bonfire mood.
The whole series has about a dozen of very different images. Some of them are saturated with vibrant colours, some are more documentary in character black and whites. I will remember working with Michael on this shoot for long time, and I hope you find these images interesting.
Live long, my knight. Let your path be filled with victories, so you can return to your castle with pride.

If you like it, please click SHARE on right top side of this post.
More photos from this series on my Model Mayhem page.

All photos copyright Derek Galon, please respect it.
Some of these images are available for purchase at Art Gallery Vibrante
This is a re-post from my older blog which had very limited number of visiors, before I switched to WordPress.

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Comments on: "The Knight Of Might – His Longest Night" (1)

  1. […] brilliant, experienced arts model, Michael Ward from Victoria. Do you remember that bluish photo of The Mighty Knight? Yes, that was another image we did with […]

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